Sylvain Amic, président des Musées d’Orsay et de l’Orangerie, est mort à l’âge de 58 ans« Sylvain Amic œuvrait pour que chacun puisse accéder aux merveilles de l’art, de Soulages à Manet », a rendu hommage Emmanuel Macron, sur X.

Mandarin Oriental, Milan suite view. Courtesy Image Mandarin Oriental, Milan 

As Mandarin Oriental, Milan proudly marks its 10th anniversary, the hotel is launching a series of exceptional experiences that celebrate its deep connection to the city. From Milan's extraordinary cultural heritage to the elegant cuisine of Executive Chef Antonio Guida, masterful mixology at Mandarin Garden to serenity in The Spa, every facet reflects the diversity of one of the world's most famed destinations.

Palazzo Citterio and The Last Supper experiences
In celebration of the connection between the hotel and the city's rich cultural heritage, guests have the opportunity to explore the newly opened Palazzo Citterio and Leonardo Da Vinci's masterpiece, The Last Supper, in a unique and exceptional style.

Our Palazzo Citterio Unveiled experience promises the ultimate discovery of an extraordinary collection of modern Italian masterpieces, from Morandi and Fontana to Burri and Manzoni, in a striking neoclassical building just a 10-minute walk from the hotel.

Exclusive private access outside of regular opening hours allows our guests to experience the enchanting ambiance of Palazzo Citterio, enjoying a premium art collection unveiled by passionate art experts.
Then, for a true once-in-a-lifetime artistic immersion, our The Last Supper Private Visit experience lets guests discover Leonardo Da Vinci's masterpiece during an exclusive private night viewing. A professional art historian guides visitors through the history, techniques and symbolism behind the legendary work housed in the mystical atmosphere of the silent “refettorio” (refectory) of the church of Santa Maria delle Grazie.
Prices upon request
 
Seta by Antonio Guida – “10 Years of Seta” menu
The hotel's 10th anniversary also marks a decade of excellence at Seta by Antonio Guida, one of Milan's most coveted and acclaimed dining destinations. To celebrate the milestone, Chef Guida presents an anthological menu, “10 years of Seta”, available from September until the end of December.
The 7-course culinary journey reflects both his Milanese beginnings and gastronomic evolution. Signature dishes include Risotto with a raspberry and herb cream, Oysters with potatoes, friggitelli peppers and Champagne sauce as well as Red Wine Glazed Eel with Foie Gras and Rosemary Sauce, reflecting Chef Guida's experiences in France, Italy and Japan.
The menu is priced at 250 EUR per person, beverages excluded

Jeffrey Gibson. This is dedicated to the one I love
​Hauser & Wirth Paris ​
​20 October – 20 December 2025 ​
 
Jeffrey Gibson’s first solo exhibition with the gallery and in France will take place at Hauser & Wirth’s Parisian outpost this Autumn. Celebrating the breadth of Gibson’s output, the exhibition features three new groups of paintings, ranging from large to intimate in scale, alongside new works from Gibson’s series of celebrated punching bags, hanging cloaks, paintings on paper, canvas and beaded panel, as well as a new body of free-standing ceramic head sculptures. The title of the show, ‘This is dedicated to the one I love,’ is a pause for empathy and a meditation on how we act and make in times of crisis.
 
Over the past three decades, Gibson has developed a rich interdisciplinary practice that draws from American, Indigenous and queer histories as well as references to popular music, literature and art historical narratives. The artist’s distinctive visual language embraces a broad spectrum of cultural expressions and collaged identities in a way that is simultaneously intimate and radically expansive. The works on show are characterized by Gibson’s bold chromatic sensibility and emphasis on pattern and abstraction, whilst also drawing on histories of color studies and the concept of the psycho-prismatic, how color, light and prisms allow us to see multiple things at once. ​ 
 
Gibson is the sixth artist selected for the 2025 Genesis Facade Commission for the Metropolitan Museum of Art in New York NY, creating four works for the museum’s historic exterior on display from 12 September 2025 – May 2026. Other current and forthcoming solo projects include an immersive installation at MASS MoCA in North Adams MA until November 2026 and an exhibition at Kunsthaus Zürich, Switzerland, from 13 June – December 2025, Gibson’s first presentation in a European museum following his solo exhibition for the US Pavilion at the 60th Venice Biennale in Italy.

When the city on the Limmat transforms into a hub of international cinema each autumn, world-class filmmaking meets an equally impressive setting. The Zurich Film Festival is one of Switzerland’s most important cultural events, attracting acclaimed filmmakers, international stars and film lovers from across the globe – perhaps including you.
Look forward to eleven days filled with cinematic highlights: from artistically ambitious arthouse productions to major Oscar contenders. More than 160 films from around the world celebrate their premiere here.
​

LOCATIONSThe beating heart of the festival is Zurich’s Sechseläutenplatz – right in the city centre and directly on the shores of Lake Zurich. This is where you’ll find the Festival Centre and the core cinemas: Corso, Le Paris and Arthouse Piccadilly. All other venues – Kino Frame, Arena Cinemas Sihlcity and the Kongresshaus Zürich – are just a few minutes away.


THE DOLDER GRANDThe Dolder Grand was used as a prominent setting for a Hollywood film, namely David Fincher’s “The Girl with the Dragon Tattoo”. What better location in Zurich for the Zurich Film Festival after-parties, than the Canvas Bar & Lounge at the Dolder Grand?

Greenpeace activists installed a haunting new artwork created by legendary artist, Anish Kapoor onto an active Shell platform in the remote North Sea.
The artwork, called BUTCHERED, shows 1,000 litres of blood-red liquid gushing onto a 12m x 8m canvas fastened to the gas platform, creating a vast crimson stain.
BUTCHERED symbolises the deep wounds the fossil fuel industry has left on our planet – and the harm it continues to cause people, in its relentless pursuit of profit. Deadly heatwaves, drought and wildfires are hitting people around the world. BUTCHERED brings the destruction right back to where it starts.
It’s time for governments to step in, hold fossil fuel giants to account and make them pay for the enormous damage they’re causing.
This is the first time that a fine art piece has been installed on an active fossil fuel platform anywhere in the world. 

“I wanted to make something visual, physical, visceral to reflect the butchery they are inflicting on our planet: a visual scream that gives voice to the calamitous cost of the climate crisis, often on the most marginalised communities across the globe. BUTCHERED is also a tribute to the heroic work done in opposition to this destruction, and to the tireless activists who choose to disrupt, disagree and disobey.”
Anish Kapoor
​
​www.greenpeace.org.uk/news/anish-kapoor-shell-north-sea

• Climate chaos is escalating. This year alone, we’ve seen dangerous droughts, fires and floods in the UK and around the world.
• Shell is fueling it. They’ve already caused at least $1.42 trillion in climate damage. 
• Shell is planning 700 new oil and gas fields. They would unleash 10.8 billion tonnes of CO2 into the atmosphere — enough to blow 5% of the world’s remaining carbon budget.
• The oil industry has known about climate change since 1959. Instead of raising the alarm, they chose lies, denial, and delay.
• Oil giants like Shell have made billions from climate destruction. £54bn in profits since the war in Ukraine — and just £1.2bn paid in UK tax.

They won’t stop by themselves. Governments must act 
 © Andrew McConnell / Greenpeace, BUTCHERED is an original Anish Kapoor artwork created in response to a Greenpeace campaign and installed by Greenpeace activists, and we have collaborated every step of the way on production and delivery.

• Anish Kapoor is a visionary, world famous artist with a history of taking a stand on important issues. In 2019, he joined other artists in calling on London’s National Portrait Gallery to cut ties with oil giant BP.

He is the latest figure to join the Polluters Pay Pact, a global Greenpeace initiative backed by firefighters, political leaders, unions, humanitarian groups and tens of thousands of people, calling on governments to make big polluters pay for the climate damage they’ve caused.

Fossil fuel companies like Shell should be made to pay for the damage they have knowingly caused. They won’t do this on their own – it’s time for governments to step in and hold them to account. 
Governments must introduce new taxes and  fines on big polluters to help communities at home and around the world rebuild from climate disasters and invest in climate solutions.

Over 240,000 people have already signed the Polluters Pay Pact calling on the government to make oil, coal and gas corporations pay their fair share for the damages they cause. Will you join them?
Greenpeace’s approach to protest For Greenpeace, actions like this are a last resort, and the decision to stage a protest is never taken lightly. 
When you see a government or company being targeted by our activists, it’s a sure sign that they’re refusing to stop harming people and nature, despite coming under huge pressure to do so. 
As with all protests, this one was carefully planned by highly trained staff and activists, with the highest regard for the safety of everyone involved.

• The Greenpeace climbers are using gas monitors and spark-free ATEX gear, and keeping clear of the high-risk zones on the platform. They’re following industry safety standards. 
• The ‘blood’ used to create the work is predominantly made from seawater, combined with beetroot powder, organic decaf instant coffee granules and a biodegradable, food-based pond dye. The combination is non-toxic and biodegradable and will rapidly disperse. 
• For the safe use of the hose, Greenpeace consulted with an active firefighter

This September, the Monaco Yacht Show (MYS) invites you to see yachting through a different lens—guided by the poetic eye of maritime photographer Guillaume Plisson.

Celebrated for his ability to capture what often goes unnoticed—the tension in a gesture, the elegance of a curve, the stillness before departure—Plisson presents an exclusive exhibition, A tribute to yachting, displayed throughout the 2025 MYS.

From 24 to 27 September, nearly 100 large-format photographs will punctuate your visit, subtly integrated into the Show's landscape. The images are invitations to pause, reflect, and reconnect with the emotion that lies beneath the surface of yachting.

A preview of the exhibition will be unveiled during the MYS Grand Opening Night on September 23, 2025, offering invited guests an early glimpse into this visual and emotional journey.

Tribute to Yachting
Photographic exhibition by Guillaume Plisson
Monaco Yacht Show, 24 - 27 September 2025
www.monacoyachtshow.com

 The Monaco Yacht Show is an annual international exhibition dedicated to the world of luxury yachting. Created in 1991, it takes place at the end of September in the Port Hercule of Monaco.
The MYS is divided into two main exhibition areas: afloat and on the quayside. Afloat, nearly 120 superyachts, including around 40 world premieres, and over 60 tenders are displayed by the most renowned builders and brokers in the market.

Nearly 560 handpicked companies present their products and services in the yachting industry, including designers, naval architects, equipment suppliers, yacht service providers, and tender manufacturers.

The Monaco Yacht Show is renowned for the exceptional quality and impressive size of its superyachts. The event attracts private visitors interested in purchasing or chartering superyachts, as well as market experts. The show is also committed to promoting innovative and sustainable solutions for yachting.

The MYS is organised under the High Patronage of His Serene Highness Prince Albert II of Monaco.

Mary Heilmann. Works on Paper
​Hauser & Wirth Zurich, Limmatstrasse
​26 September – 19 December 2025
 

Opening this September, Mary Heilmann returns to Hauser & Wirth Zurich, Limmatstrasse, with an exhibition of the artist’s drawings from 1975-2005. Bringing together works on paper ranging from watercolor studies for larger paintings to works that function as paintings on paper in their own right, this presentation of rarely and never before seen works celebrates Heilmann’s talent for distilling complex images and ideas into deceptively simple geometric forms and abstract gestural marks. Expanding upon the artist’s exhibition of works on paper ‘Daydream Nation’ at Hauser & Wirth New York last year, the presentation in Zurich muses on how drawing functions as a form of daydreaming—of conjuring the sights, sounds and events of her past travels or her imagined future—in Heilmann’s creative process.
 

The exhibition in Zurich opens in conjunction with a new publication from Hauser & Wirth Publishers, ‘Mary Heilmann. Works on Paper: 1973–2019’, featuring an introduction from Alexis Lowry, an essay from art historian Jo Applin and a personal reflection by painter Ilana Savdie.
 

Heilmann is the subject of two major institutional exhibitions, which also include works featured in the new publication. ‘Mary Heilmann. Starry Night’ at Dia Beacon in Beacon, NY and ‘Mary Heilmann. Water Way’ at Guild Hall in East Hampton, NY both close in October 2025. On view at the Whitney Museum of American Art until January 2026 is 'Mary Heilmann: Long Line', a site-specific installationthat celebrates the 10th anniversary of the opening of the Whitney Museum’s downtown building.
 

Caption:

Mary Heilmann, 'Tea Garden', (1984)
​© Mary Heilmann
​Courtesy the artist, Hauser & Wirth and 303 Gallery, New York
​Photo: Thomas Müller