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Pedro Pascal, new CHANEL Ambassador

4/14/2026

 

Alserkal Announces Alserkal Art Month

4/14/2026

 
Championing Collaboration and Collective Presence in UAE’s arts ecosystem
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Image credits: Image courtesy of Alserkal​. Déjà vu (2016) by Raed Yassin – the inspiration for the eponymous group show in Concrete, featuring artists represented by 18 UAE galleries*. 

Five weekends of programming to feature gallery openings, Déjà vu – a curated group show featuring 18 UAE galleries, Blank Space takeovers, grants, and public art interventions
  • 16 exhibitions opening to audiences on 18 April in the Avenue’s contemporary art galleries
  • Opening of “Still A Sky We Hold” — a newly commissioned iteration of Shilpa Gupta’s public art work
  • Déjà vu, a curated group exhibition taking place in Concrete at Alserkal Avenue, from 25 April to 8 May
  • Majlis Talks curated by Nadine Khalil and inspired by the curated group show in Concrete
  • Programming led by participants of the Blank Space initiative featuring collectives working across multiple creative disciplines.
  • Creative workshops featuring Dirwaza Curatorial Lab, Chafa Ghaddar, Nora Zeid, Al Reem Al Beshr
  • 5 weekends of programming and public interventions throughout the month, including Slow Walks, conversations, poetry readings and performances, will feature some of the region’s most compelling cultural voices, from artists to curators, writers and filmmakers.
  • Partnerships from across the UAE’s arts ecosystem, including a partnership with Art Dubai focused on moving image
  • Alserkal Arts Foundation will host reading groups, performances and open studios by locally based artists and cultural practitioners, in addition to offering grants.
 
Dubai, UAE,14 April 2026: Alserkal has announced Alserkal Art Month, a collective expression of the resilience of the arts ecosystem in the UAE and the wider region that will run from 18 April to 18 May. Alserkal is joined by artists, cultural practitioners, and multidisciplinary collectives from across the region, as it expands its Art Week into a month-long initiative, Alserkal is joined by artists, cultural practitioners, and multidisciplinary collectives from across the region, as it expands its Art Week into a month-long initiative, providing a platform that will help sustain cultural engagement and create opportunities for dialogue, cultural enquiry and connection amongst the city’s creative community during this challenging time. The programme, which will span five weekends, will begin on 18 April as Alserkal Avenue’s contemporary art galleries preview their exhibitions as originally planned. The closing week, which will take place from 14-17 May, during Art Dubai 2026, will feature art commissions in partnership with the fair.
The month’s evolving programme is inspired by Shilpa Gupta’s work “Still They Know Not What I Dream”, which was commissioned by Alserkal Arts Foundation and supported by Ishara Art Foundation, and installed in The Yard in Alserkal Avenue, as part of Between a Beach and a Slope (2025), a series of public art commissions curated by Fatoș Ütsek. For Alserkal Art Month, the artist has created a new iteration of the work titled “Still A Sky We Hold” — a premise that underpins the entire month’s programme.  

Art Month will take place in Alserkal Avenue, offering audiences the opportunity to engage with new exhibitions in the cultural district’s conteorary art galleries, public art commissions and interventions, a collaborative commercial exhibition in Concrete, Majlis Talks, space takeovers, and workshops, alongside open studios, performances and reading groups hosted by Alserkal Arts Foundation.

Déjà Vu--a curated group exhibition featuring artists represented by 18 of the UAE’s leading contemporary art galleries—is a collective initiative between the UAE’s contemporary art galleries and Alserkal to present a commercial exhibition at the heart of its cultural district, Alserkal Avenue, during this challenging and uncertain time. The exhibition, which is curated by a three-person committee (Kevin Jones - Director of Strategy at Alserkal, Nada Raza - Director of Alserkal Arts Foundation and Zaina Zaarour - Curator & Manager of Programmes at Alserkal Avenue) in consultation with participating galleries, will open on 25 April. Inspired by the absurdity of repetitious acts, Déjà vu will examine the uncanny sense of days re-visited and re-lived and the existential strain of perpetual recurrence. The show will be complemented by a Majlis Talks programme curated by Nadine Khalil.
Alserkal Arts Foundation’s focus over the past six weeks has been on supporting artists, researchers and practitioners based in the UAE who have encountered practical challenges to continuing with practices. The Foundation’s support has manifested as studio takeovers as well as support for continued participatory programming. During Alserkal Art Month, the Foundation will host reading groups by artist Chafa Ghaddar, open studios with Alla Abdunabi and Maryam Ahli, and a performance by Asareh Ebrahimpour. The Foundation has also established a fund to help facilitate the completion of research-led projects; grants of up to AED 10,000 will be made available to practitioners within the Foundation’s network.
On 16 May, Alserkal Advisory, which consults with public and private entities on their cultural engagement policies, will bring key stakeholders and institutions across the UAE together for a round table to understand and delineate ways in which arts institutions can create impact among communities.
Multidisciplinary collectives who were selected to join the cultural district’s Blank Space initiative will also be part of Art Month. The initiative was launched at the end of March to support collaboration and public engagement amongst emerging creatives in the fields of design, craft, music and visual arts.
The month’s closing weekend programme (12-17 May) will feature “Moving”, a four-day programme of moving image works that marks the second year of the cultural district’s partnership with Art Dubai. The jointly curated programme features continuous-sequence screenings located on the screens in The Yard in Alserkal Avenue and on site at the fair in Madinat Jumeirah.

Speaking about Alserkal Art Month, Vilma Jurkute, Executive Director of Alserkal, said: “For almost 20 years, Alserkal has helped shape the region’s cultural landscape into the vibrant scene it is today and it remains committed to openness and partnership, supporting an ecosystem that continues to adapt, evolve and endure. Alserkal Art Month is a tribute to the resilience and fortitude of the UAE’s arts ecosystem, and to the people who sustain it. Rooted in shared values, this month-long programme creates space for collaboration, dialogue and exchange at a time when that feels especially important.”

Basmah El Bittar, Director of Alserkal Avenue, said: “Over the course of Alserkal Art Month, we will see 16 gallery exhibitions, 6 warehouse takeovers and a rich and diverse series of programmes brought to life in the Avenue. We are proud of the rigour and care that has gone into this programme, and of how our community has come together and continued to produce ambitious work.”
Alserkal is a cultural enterprise rooted in Dubai and active globally, shaping contemporary culture and advancing the creative economy across the MENASA region and beyond. Founded in 2007 by Emirati business leader and patron Abdelmonem Bin Eisa Alserkal, the organisation began with the transformation of a former industrial site into Alserkal Avenue, now one of the region’s leading destinations for contemporary art and community engagement. www.alserkal.online | @alserkalofficial
 
Alserkal Avenue is a cultural district in Al Quoz, and home to Dubai’s creatives, makers, and cultural visionaries. Welcoming almost 2 million visitors annually, the Avenue brings together 90+ creative businesses across art, design, food, performance, and lifestyle in a vibrant destination, creating cultural encounters for local, regional, and international communities. | https://alserkal.online/alserkal-avenue/
 

the 16th Malmö Arab Film Festival

4/12/2026

 
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Successful Opening of the 16th Malmö Arab Film Festival
with the Iraqi Film “The President’s Cake”


The 16th edition of the Malmö Arab Film Festival officially opened on Friday, 10 April, in a vibrant celebratory atmosphere marked by strong public and official attendance, reaffirming the festival’s position as the leading platform for Arab cinema outside Arab region.
The opening evening began with the red carpet at the Royal Cinema, welcoming filmmakers, artists, and media representatives, with notable engagement from the audience. The official ceremony followed, opening with a welcome speech by the Mayor of Malmö, Katrin Stjernfeldt Jammeh, who emphasized the festival’s important role in promoting cultural dialogue and artistic diversity in the city.
The Founder – Executive Chairman, Mouhamad Keblawi, then officially declared the 16th edition open, highlighting the festival’s ongoing commitment to supporting Arab cinema and fostering collaboration with European filmmakers.
During the ceremony, Saudi filmmaker Abdullah Al-Muheisen was honored in recognition of his pioneering career and his significant contributions to the foundation of Saudi and Gulf cinema, receiving warm appreciation from the audience.

 The evening culminated with the screening of the opening film “The President’s Cake” by Iraqi director Hasan Hadi, a co-production between Iraq, the United States, and Qatar. The film was warmly received by the audience for its compelling human story and distinctive visual approach.
The first day concluded with an official reception at Malmö City Hall, hosted by Carina Nilsson, Chair of the Malmö City Council, attended by festival guests, filmmakers, and representatives from cultural and media sectors, in an atmosphere reflecting collaboration and cultural exchange.
The festival continues until 16 April with a rich program featuring 39 films from across the Arab world, alongside the Malmö Industry Days, which serve as an important platform for supporting new projects and strengthening international partnerships.
Through this successful opening, the Malmö Arab Film Festival reaffirms its role as a cultural bridge between the Arab world and north Europe, and as a key platform for showcasing contemporary Arab cinema.

The 79th Festival de Cannes unveils its Official Selection

4/9/2026

 
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Iris Knobloch, President, and Thierry Frémaux, General Delegate, unveiled today the Official Selection of the 79th Festival de Cannes.


Discover the films that will screen on the Croisette from May 12 to 23, 2026.

Alserkal Avenue Announces Open Call for ‘Blank Space’

4/3/2026

 
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Dubai, United Arab Emirates, 02 April 2026: Alserkal Avenue has launched Blank Space, an initiative launched to support up to three collectives living and working in the UAE, opening up dialogue and making space for creative expression and collaboration. During this time of uncertainty,
the initiative provides creative practitioners with temporary space, resources and visibility, as well as the ability to grow their practice through peer and audience engagement.


Known for its support for artists and cultural practitioners, Alserkal Avenue has consistently provided artists with warehouse space in challenging times, allowing for their work and projects to continue.
With Blank Space, the Avenue continues to champion emerging voices in the creative fields of design, craft, music and visual arts, and strengthen the creative ecosystem from within.


Basmah El Bittar, Director of Alserkal Avenue, said: “Blank Space came about as a response to the
pressures that emerging creatives in the UAE are experiencing. The initiative is designed to
encourage creative practitioners from different disciplines to come together and benefit from being
part of an established creative infrastructure without the financial pressure of a physical space.”


Applications for Blank Space should be submitted before 12PM on 10 April via [email protected] with the subject line “Blank Space Proposal – [name of collective]”. Proposals must be no more than 10 slide. Alserkal Avenue is part of Alserkal, a cultural enterprise shaping contemporary culture, founded by Emirati businessman and patron Abdelmonem Bin Eisa Alserkal. @alserkalavenue | https://lnkd.in/dreneFMc

Art Monte-Carlo 29 April – 1 May

4/3/2026

 
Art Monte-Carlo 2026 Celebrate 10 years of art
Art Monte-Carlo | 29 April – 1 May 2026

Art Monte-Carlo provides a dedicated platform for modern and contemporary art, rooted in the same ecosystem of discernment and craftsmanship that defines the Monaco Yacht Show.

Book your tickets now
For its 10th anniversary, the fair returns to the Grimaldi Forum, offering high-value engagement between international galleries and a discerning audience. Twenty six leading galleries will present exceptional works within an intimate, elegantly curated setting, inviting collectors and art enthusiasts to explore and discover.

This edition, led by Artistic Director Stefano Rabolli Pansera, features the curated exhibition ‘Earthly Delights’ alongside the carefully selected international galleries.
Book your tickets now to experience the 10th edition of Art Monte-Carlo.

Art Monte-Carlo, 10th edition
Wednesday 29 April: 14:00-18:00
Thursday 30 April & Friday 1 May: 14:00-19:00
For more information: www.artmontecarlo.ch
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Malmö Arab Film Festival (MAFF) announces jury

4/1/2026

 
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The Malmö Arab Film Festival has announced the members of the juries for the competitions of its sixteenth edition, scheduled to take place from April 10 to 16, 2026, in Malmö, Sweden.
The Feature Film Competition Jury consists of Egyptian director Yousry Nasrallah, Tunisian actress Aïcha Ben Ahmed, Saudi producer Ayman Jamal, Algerian actor Hassan Kechache, and Moroccan film critic Jihane Bougrine.
The Documentary Film Competition Jury includes Iraqi film critic Erfan Rashid, Egyptian director Hala Galal, and Sudanese director Marwa Zein.
Meanwhile, the Short Film Competition Jury consists of Iraqi director Basim Sabah, Syrian actress Yara Sabri, and Palestinian producer Ola Salama.
The festival will also host the International Critics’ Jury (FIPRESCI), organized in collaboration with the International Federation of Film Critics (FIPRESCI). The jury includes Egyptian film critic Marwa Abueish, German critic Schayan Riaz, and Slovenian critic Petra Meterc.

Commenting on the selection of the juries, Festival Founder and President Mouhamad Keblawi said:
We are delighted at the Malmö Arab Film Festival to welcome this distinguished group of filmmakers and critics from around the world as members of the juries for the festival’s 16th edition. The diversity of their professional backgrounds and artistic experiences reflects the richness of both the Arab and international cinematic landscape, and brings credibility and high artistic value to the festival’s competitions.
We are also proud to welcome, for the first time, the International Federation of Film Critics (FIPRESCI) jury to the festival, which will present the FIPRESCI Award to one of the participating films. This step represents an important addition to the festival’s international standing and reflects the growing interest of global critics in Arab cinema and in the films presented at the festival.
We are confident that the jury members will contribute their expertise and insights in evaluating the participating films with professionalism and integrity. We also look forward to their participation enriching cinematic dialogue and strengthening the presence of Arab cinema on the international stage.

The Malmö Arab Film Festival has announced the film program for its sixteenth edition, scheduled to take place from April 10 to 16, 2026, in addition to the members of the juries for the festival competitions. The announced program includes 39 films, comprising 22 feature films and 17 short films, produced by 14 different Arab countries, with co-productions involving 14 Western countries. The films are distributed as follows: the official Feature Film Competition includes 10 films, the Documentary Film Competition includes 7 films, the Short Film Competition includes 11 films, in addition to two films in the "Arab Nights" program, one film in the "Special Screenings" program, two films in the "School Screenings" program, five films in the "Voices from Sweden" program, and one family film.
Festival Founder and President, Mouhamad Keblawi, “The films selected for the 16th edition of the Malmö Arab Film Festival reflect the growing international presence of Arab cinema. Most of these films have been screened at major international and regional festivals, where they received significant recognition from both critics and audiences. By presenting them in Malmö, we aim to open a window for audiences in the city of Malmö and across Sweden to discover some of the most important contemporary Arab films, and to experience powerful human stories that reflect the diversity and richness of cinema in the Arab world today.”
The opening film of the festival is The President’s Cake by Iraqi director Hassan Hadi, a co-production between Iraq, the United States, and Qatar, while the closing film is Love Imagined by Egyptian director Sara Razek, an Egyptian production.

Feature Film Competition
Hijra (Saudi Arabia, Iraq, Egypt, UK) – directed by Shahad Ameen
All That’s Left of You (Palestine, Germany, Greece, Jordan, Cyprus) – directed by Cherien Dabis
Sink (Jordan, Saudi Arabia, Qatar, France) – directed by Zain Duraie
BAAB (United Arab Emirates) – directed by Nayla Al Khaja
Calle Málaga (Morocco, France, Spain, Germany, Belgium) – directed by Maryam Touzani
Where the Wind Comes From (Tunisia, France, Qatar) – directed by Amel Guellaty
Yunan (Germany, Canada, Italy, Palestine, Qatar, Jordan, Saudi Arabia) – directed by Ameer Fakher Eldin
My Father’s Scent (Egypt, Norway, Sweden, Saudi Arabia, France, Qatar) – directed by Mohamed Siam
The Stories (France, Egypt, Austria, Sweden) – directed by Abu Bakr Shawky
Irkalla: Gilgamesh’s Dream (Iraq, UAE, Qatar, France, UK, Saudi Arabia) – directed by Mohamed Jabarah Al-Daradji

Documentary Film Competition
My Father and Qaddafi (Libya, USA, Sweden) – Directed by Jihan
Flana (Iraq, France, Qatar) – Directed by Zahraa Ghandour
One More Show (Egypt, Palestine) – Directed by Mai Saad and Ahmad Al Danaf
To Dream Perhaps (Tunisia, France) – Directed by Nidhal Guiga
Habibi Hussein (Palestine, Germany, Saudi Arabia, Sweden) – Directed by Alex Bakri
Anti-Cinema (Saudi Arabia) – Directed by Ali Saeed
Life After Siham (France, Egypt) – Directed by Namir Abdel Messeeh

Short Film Competition
Somewhere Else (Kuwait) – Directed by Haya Alghanim
Suspension (Lebanon) – Directed by Nour Akiki
Paradise Garden (Morocco, France) – Directed by Sonia Terrab
Salopette (Tunisia) – Directed by Feryel Ben Boubaker
Irtizaz (Saudi Arabia) – Directed by Sara Balghonaim
Salem Not Salem (Bahrain) – Directed by Omar Farooq
Umbilical Cord (United Arab Emirates) – Directed by Ahmed Hasan Ahmed
Coyotes (France, Palestine, UK, Jordan) – Directed by Said Zagha
32 B (Egypt) – Directed by Mohamed Taher
The Victim Zero (Algeria) – Directed by Amine Bentameur
The Last Miracle (Egypt, Sudan, Germany) – Directed by Abdelwahab Shawky

Arabian Nights
Complaint No. 713317 (Egypt) – Directed by Yasser Shafie.
Esaaf (Saudi Arabia) – Directed by Colin Teague.


Special Screenings
The Last Chapter (Finland) – Directed by Mohamed El Aboudi


Swedish Voices Program
$PIRAL (Sweden) – Directed by Sosi Chamoun
Laundry Time (Sweden) – Directed by Filson Ali
Let Me Open the Door (Sweden) – Directed by Assi Kassouha
One Day I Will Hug You (Sweden, Palestine, Qatar) – Directed by Mohammed Fares Al Majdalawi
Sing My Song (Sweden) – Directed by Julia Ammouri


Family Film
The Escape to School (Sweden, Palestine) – Directed by Mohammad Sahli
 
Malmö Arab Film Festival (MAFF) is the largest and most influential festival dedicated to Arab cinema in Europe. Founded in 2011, the festival serves as a vital platform for Arab filmmakers to showcase their work, engage in cross-cultural dialogue, and connect with international industry professionals. MAFF offers a diverse program of film screenings, industry initiatives, and networking opportunities, fostering collaboration between the Arab and Nordic film industries.

Louis Vuitton pays tribute to Frank Gehry at Art Basel Hong Kong

3/28/2026

 
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As part of Art Basel Hong Kong 2026, Louis Vuitton is celebrating its more than two decades of collaboration with Frank Gehry with a retrospective booth. From visionary architecture to limited-edition handbags, perfume bottles and timepieces, his creations reflect an unmistakable marriage of innovation and savoir-faire.

As a show partner of Art Basel Hong Kong, the Maison presents a chronologically curated production in eight chapters that highlights Gehry's most influential works as well as his contributions to the Louis Vuitton universe. Maquettes and works on display provide insights into his creative process and impressively highlight the enduring radiance of his work.

The partnership between LVMH and the award-winning architect began back in 2001 with the conception of the Fondation Louis Vuitton, which opened in 2014 as an iconic glass building that reinterprets transparency, light and volume. In the same year, Gehry designed the "Twisted Box" bag for Louis Vuitton's 160th anniversary. This was followed by the Louis Vuitton Maison Seoul (2019), whose curved glass façade is inspired by both the Fondation and traditional Korean architecture. Other projects include the reinterpretation of the Louis Vuitton Trunk on the occasion of the 200th anniversary, as well as the Murano glass "Blossom" stoppers for Les Extraits Parfums. In addition, Gehry's "Monogram Studies" testify to his exploration of the Maison's iconic canvas and led to the development of new symbolic elements within the collaboration.

A key highlight is the Louis Vuitton x Frank Gehry Handbag Collection, which debuted at Art Basel Miami Beach in 2023. The models – including the iconic Capucines, Twisted Boxes and the Bear With Us Clutch – translate central themes of his oeuvre into design: architecture and form, materiality and animal motifs. Innovative details and exceptional materials take the Maison's craftsmanship to new frontiers.

The presentation is complemented by the Tambour watch (2024), which combines the watchmaking art of La Fabrique du Temps Louis Vuitton with sculptural elements and transfers Gehry's architectural signature into the dimension of time.

Louis Vuitton will be at the Hong Kong Convention and Exhibition Centre (Management) Limited Centre from 27 to 29 March 2026.

​Louis Vuitton
 reveals Arts & Culture Program Spring 2026 around the world 



Louis Vuitton has revealed its Arts & Culture Program Spring 2026, a window to the world of arts and culture. Spanning cities and disciplines worldwide, the Maison presents renowned artists and major exhibitions worldwide, inviting audiences to share a dialogue shaped by creativity and exchanges.   


At the 2026 edition of Art Basel Hong Kong, Louis Vuitton celebrates renowned architect Frank Gehry, featuring over two decades of partnership with the Maison. From his audacious architectural projects to his Louis Vuitton x Frank Gehry limited edition handbag collection, as well as his collaborations for timepieces or perfume bottles and stoppers, Frank Gehry’s creations attest to a singular vision of innovation and savoir-faire that transcends time. 
Marking the 20th anniversary of the Espaces Louis Vuitton and the 10th anniversary of the Fondation Louis Vuitton’s Hors-les-murs program – which showcases works from the Fondation’s Collection across the world – the Espace Louis Vuitton Osaka opened the Paintings and Banality exhibition on February 15, 2026, devoted to the work of American artist Jeff Koons. The retrospective traces his practice from his early iconic series in the 1980s to recent monumental paintings. At the same time, from March 19 to September 13, 2026, the @Espace Louis Vuitton Tokyo presents the exhibition "You made me leave home...” devoted to the work of South Asian diaspora artist Rina Banerjee, who transforms an array of found objects, textiles and feathers into mystical female sculptures and complex phantasmagorical installations.  




Forthcoming Hauser & Wirth Exhibitions in Europe & Asia Spring / Summer 2026

3/26/2026

 
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Switzerland

Avery Singer. War_overlays
Hauser & Wirth Zurich, Limmatstrasse
12 June – 5 September 2026
 
For Zurich Art Weekend 2026, US artist Avery Singer presents new paintings and a site-specific architectural intervention, transforming the upstairs Zurich gallery into a space reminiscent of a casino—a charged environment shaped by surveillance. Within the paintings, Singer expands upon the figure of the poker player: a protagonist that parallels the role of the artist, operating under high stakes, reading patterns, anticipating risk and perceiving what others might overlook.

Moving away from animation software, Singer employs AI-based tools to select and incorporate images drawn from post-2001 contemporary warfare—using references that evoke the mediated violence of the era—to serve as the building blocks of her paintings. These fragments function like overlays within a larger composition, foregrounding the harsh realities that persist beyond the studio, yet are easily neglected in the everyday. Notably, Singer’s use of AI to develop the prompts and keywords that initiate aspects of the image generation process further implicates themes of automation and control, while exploring the paradoxes of the digital era. Singer’s pioneering techniques are deployed to question the ways in which images and their distribution in our contemporary world are increasingly informed by new media and technologies.
 
James Jarvaise & Henry Taylor. Sometimes a straight line has to be crooked 
Hauser & Wirth Zurich, Limmatstrasse
12 June – 5 September 2026
 
‘Sometimes a straight line has to be crooked’ is the first European exhibition bringing together the work of Henry Taylor, one of today’s most celebrated artists, in dialogue with that of his teacher, California modernist James Jarvaise (1924 – 2015). It is significant that Taylor’s debut at Hauser & Wirth in Zurich takes place in dialogue with Jarvaise—the artist who saw something special in Taylor when he was a student in the 1980s.
 
Travelling from Hauser & Wirth Los Angeles, the exhibition will feature over seven decades of works that explore the artists’ mutual interest in the figure and landscape. On view will be paintings and drawings from Jarvaise’s Hudson River School series, which was included in the famous 1959 exhibition ‘Sixteen Americans’ at The Museum of Modern Art, New York. These historic works will be presented along with modernist collages from the 1950s and figurative paintings from the 1960s that were specifically chosen by Taylor. Encapsulating more than three decades, Taylor’s own work is represented by over 40 paintings to concentrate on portraits of friends, family and strangers, figure studies, neighborhood scenes and landscapes. The title is taken from advice Jarvaise imparted to his student: the words of a vital teacher who offered Taylor many lessons on how to build a painting with integrity. The exhibition coincides with Taylor’s major solo exhibition at Musée national Picasso Paris, opening 8 April 2026.
 
Max Beckmann
Hauser & Wirth Basel
Opens June 2026

 
Widely regarded as one of the most important painters of the 20th Century, German artist Max Beckmann created a singular position in the history of art through a figurative language of extraordinary psychological depth, resisting categorization within expressionism and new objectivity. Ahead of Art Basel 2026, a dedicated exhibition on the artist—curated in close collaboration with his granddaughter, Mayen Beckmann—will open at the Basel gallery this June.
 
Shaped by a life lived between two World Wars and culminating in his emigration to the United States in 1947, Beckmann’s work bears witness to the psychological intensity and moral fractures of the inter-war period. The exhibition spans the entirety of the artist’s career and brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century.
 
Further exhibitions to be announced
 
UK
 Francis Picabia. Expanding Horizons
Hauser & Wirth London
21 May – 1 August 2026
 
Francis Picabia (1879 – 1953) is one of the most influential and essential artists of the 20th Century. His career and worldview were marked by ceaseless experimentation and his oeuvre demonstrated a rapid progression through various artistic movements, which included impressionism, fauvism, Dadaism and cubism. Organized in collaboration with the Comité Picabia, this wide-ranging overview covers five decades of Picabia’s career, from his early landscapes, Dada works and Transparencies through to his radical nudes, realist works made during World War II and the textured abstract paintings created in his final years. Shedding light across every area of the artist’s practice, this exhibition highlights his fluid shift between figurative art and abstraction, affirming Picabia’s reputation as one of art history’s most ingenious shape shifters.
 
Roni Horn
Hauser & Wirth London
21 May – 1 August 2026
 
For her first exhibition in London in a decade, Roni Horn will present never before exhibited works on paper from her new Seizure of Hope series, which explores the artist's preoccupation with repetition and the utilization of the written word. Featuring throughout the works on view, the phrase ‘I am paralyzed with hope’ comes from a monologue by the stand-up comedian Maria Bamford. Bamford’s quote was first used by the artist in her 2021 work ‘LOG (March 22, 2019 – May 17, 2020)’ and evolved into the Seizure of Hope series on view. The limited-edition title ‘Seizure of Hope’ by Hauser & Wirth Publishers reproduces her drawings in precise detail.
 
Accompanying her drawings is one of her renowned glass sculptures; taking the form of a cube, the work is a rare example of Horn’s cast objects. ‘Untitled (“What happens to the hole when the cheese is gone?”)’ (2022) balances solidity and fluidity, its glossy top recalling the crystal-clear surface of an undisturbed pool of water.
 
Angel Otero
Hauser & Wirth Somerset
2 May – 18 October 2026
 
Angel Otero makes his UK debut this spring, featuring a deeply personal body of work completed during an artist residency at Hauser & Wirth Somerset. Known for his physically immersive approach to paint as material, Otero transforms the medium itself—scraping, layering and peeling dried oil paint to create richly textured compositions that hover between abstraction and figuration. Moving his studio practice from Brooklyn NY and Puerto Rico temporarily to Somerset, the residency provides Otero with the opportunity to continue his exploration of memory, place and meaning in the context of a new environment.
 
The exhibition unfolds across the galleries at Hauser & Wirth Somerset, in addition to an outdoor work, ‘Dreams and Salt’ (2026), that was first shown in Puerto Rico as part of La Gran Bienal Tropical in 2025. Paintings range from monumental compositions, including Otero’s largest figurative painting to date, that envelop the viewer in a fully immersive sensory experience to intimate encounters with smaller studies and works on paper, rarely presented outside the studio. A new film conceived in Puerto Rico brings elements investigated within the paintings into moving image for the first time.
 
Paris
 
Charles Gaines. Ciphering African Acacias and Supreme Court Decisions
Hauser & Wirth Paris
Opens 10 June 2026
 
For over five decades, conceptual artist Charles Gaines has used systems to create works that mine the complex relationship between perception and meaning. For his first exhibition at Hauser & Wirth’s Paris gallery, Gaines will unveil new Plexiglas works from his Numbers and Trees series, first conceived by the artist in 1986. Focusing on acacia trees, the compositions are based on photographs the artist shot during a trip to Tanzania in 2023. By converting the tree form into a gridded geometry, Gaines devised a distinctive process for charting and comparing differences, while also challenging the dominance of subjectivity in artistic expression.
 
Gaines will also debut the latest installment from his Manifestos series, developed whilst in residence at the gallery’s Somerset location in 2025. Comprised of a new musical composition, two-channel video and five drawings, ‘Manifestos 7’ (2026) examines rulings from two landmark US Supreme Court cases, Plessy v. Ferguson (1896) and Brown v. Board of Education (1954).
 
Charles Gaines will collaborate on—along with Firelei Báez and Cristina Iglesias—and contribute to a group exhibition organized by Rashid Johnson at Hauser & Wirth Menorca from June 2026. A book of Gaines’ collected writings will be released by Hauser & Wirth Publishers in spring 2027.
 
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Menorca
 
Directionless
Hauser & Wirth Menorca
21 June – 25 October 2026
 
Opening this summer, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson. The project begins with the premise that we are living in a moment of profound disorientation. This is a time when inherited narratives, stable identities and the systems that once structured social and aesthetic life feel increasingly insufficient. Rather than offering resolution, the exhibition asks how artists productively inhabit this uncertainty—how they develop new vocabularies and provisional orientations when established coordinates fail.
 
To build a sense of indeterminacy and openness into the exhibition’s very structure, Johnson has invited Charles Gaines, Firelei Báez and Cristina Iglesias to each nominate artists from outside the gallery’s roster alongside his own selections. This artist-driven, polyphonic approach refuses singular narratives, instead proposing that creative practice itself might be a form of orientation-making in an illegible present.
 
The developing artist list includes: Firelei Báez, Yto Barrada, Georg Baselitz, Claire Chambless, Ali Cherri, Teresita Fernández, Charles Gaines, Todd Gray, Alteronce Gumby, Mona Hatoum, Hugh Hayden, Hanna Hur, Cristina Iglesias, Rashid Johnson, Michael Joo, Sigalit Landau, Hannah Levy, Joiri Minaya, Julie Mehretu and Rayanne Tabet.

Martin Creed
Hauser & Wirth Menorca
25 April – 7 June 2026
 
This spring, Hauser & Wirth Menorca opens for a new season with a special presentation by Martin Creed. The exhibition brings together Creed’s ‘Work No. 3891: Half the air in a given space’ and a selection of wall paintings.
 
‘Half the air in a given space’ is one of Creed’s most celebrated works. First conceived in 1998 and subsequently created around the world, it involves a multitude of balloons which contain half of the air in a room. Acting as a tangible measure of the air, this playful inversion of art and space invites visitors to enter and change the work’s shape and volume themselves. It is a sculpture which takes the shape of the space between people and things, joining them together in a shared environment.
 
Hong Kong
Frank Bowling
Hauser & Wirth Hong Kong
11 June – 29 August 2026
 
Opening in June in Hong Kong, Hauser & Wirth will present Bowling’s first solo exhibition in Asia, bringing together a selection of historical and recent works that showcase Bowling’s mastery of surface texture. 
 
Sir Frank Bowling OBE RA is widely regarded one of Britain’s most significant living artists. For over six decades, Bowling has relentlessly pursued a practice which boldly expands the possibilities and properties of paint. Ambitious in scale and scope, his dynamic engagement with the materiality of his chosen medium, and its evolution in the broad sweep of art history, has resulted in paintings of unparalleled originality and power. Bowling was elected a Royal Academician in 2005, appointed Officer of the Order of the British Empire (OBE) in 2008 and knighted in 2020 for his services to art. His works are held in major museum collections worldwide, including Tate, The Museum of Modern Art and The Metropolitan Museum of Art.
 
Lucio Fontana: Spatialism. Pioneering the Contemporary 
An exhibition curated by Luca Massimo Barbero and Fondazione Lucio Fontana
Hauser & Wirth Hong Kong
17 September – 19 December 2026 
 
Breaking the boundaries between painting and sculpture, Lucio Fontana (1899 – 1968) transformed the canvas into a dynamic area of light, gesture and movement. His slashed and punctured surfaces, central to the Spatialism movement he founded, fundamentally redefined the relationship between artwork and space. Through an innovative aesthetic, his visionary practice paved the way for postwar contemporary art and continues to inspire artists around the world. In September 2026, Hauser & Wirth Hong Kong will present seminal works from 1949 onward, focusing on the revolutionary ‘Buchi’ (Holes) and ‘Tagli’ (Cuts), tracing the evolution of Spatialism and Fontana’s radical exploration of the canvas as a site of infinite possibility.
 
The Hong Kong exhibition marks the final chapter of a trilogy realized in collaboration with Fondazione Lucio Fontana, following presentations in Los Angeles (2020) and New York (2023). A major new publication on Fontana is forthcoming from Hauser & Wirth Publishers. Published on the occasion of the exhibition, this volume marks the first widely available introduction to the artist’s practice in Mandarin, offering Chinese audiences a comprehensive account of his groundbreaking career spanning 1920s to late 1960s, alongside specifically translated writings by the artist. 
 
Hauser & Wirth Publishers
 
Accompanying gallery exhibitions, new titles by Hauser & Wirth Publishers include: ‘Destiny Is a Rose: Art from the Eileen Harris Norton Collection,’ in conjunction with the show of the same name at Downtown Los Angeles; ‘Roni Horn: Seizure of Hope,’ tied to her London show; ‘Zhang Enli,’ on the occasion of his forthcoming show at West Hollywood; ‘Angel Otero,’ released during the artist’s Somerset show; and ‘Lucio Fonatana,’ coinciding with his autumn Hong Kong show.
 
Spotlighting key modern masters are: ‘Life with P.: Journals, 1966–1976,’ an intimate account of Musa McKim’s life with painter Philip Guston, and ‘Hans/Jean Arp: Works with and on Paper.’
 
The next In the Studio release focuses on Louise Bourgeois, with a text by Justin Paton. This follows on from a title dedicated to Takesada Matsutani. Other artists in the collection include Phyllida Barlow, Jack Whitten and Lee Lozano.
 
Outside the gallery programme, ‘The Forgotten Her Story’ tells the story of nine of the most remarkable creative women of our time through intimate conversations, with a preface by Manuela Wirth.
 
For further information Hauser & Wirth Publishers’ 2026 titles, see catalogue here.
​

Uzbekistan Makes Its Milan Design Week Debut

3/18/2026

 
Save The Date
When Apricots Blossom
Picture

This April, Uzbekistan arrives at Milan Design Week for the first time with When Apricots Blossom, an immersive exhibition taking over the historic Palazzo Citterio in Brera from 20 to 26 April 2026. Presented by Gayane Umerova, Chairperson, Uzbekistan Art and Culture Development Foundation (ACDF) and curated by architect Kulapat Yantrasast of WHY Architecture, the show is one of the more compelling debuts of the season.
Named after a 1930s Uzbek poem by Hamid Olimjon, the exhibition traces a narrative of resilience rooted in the Aral Sea region and Karakalpakstan, in northwestern Uzbekistan. Since the 1960s, the systematic diversion of the Aral Sea's feeder rivers caused the lake to lose over 90% of its volume, transforming a vast inland sea into desert. Kulapat Yantrasast frames craft and design as a living response to that legacy — not nostalgia, but a system of knowledge carrying memory and identity across generations — organising the exhibition around three pillars of Karakalpak culture: textiles, food and shelter.
Twelve international designers — including Bethan Laura Wood, Marcin Rusak, Fernando Laposse, Nifemi Marcus-Bello and Bobir Klichev — present new commissions made in direct collaboration with Uzbek artisans. Each created a bread tray and two bread stamps using materials native to Karakalpakstan: wood, silk, felt, ceramic and reed, celebrating the central role of bread in Uzbek culture and hospitality. Elsewhere, Wood's hand-woven tapestry of tassels and ribbons transforms the palazzo's facade, while a deconstructed yurt in the garden serves as a pavilion for talks and workshops throughout the week.
The exhibition also introduces ACDF's longer-term work in the region, including the Aral School design programme and the Aral Culture Summit. A specially commissioned film, Where The Water Ends, offers an intimate portrait of Karakalpak communities navigating life and memory amid environmental collapse.

When Apricots Blossom is open 20–26 April,
10:00–18:00 daily, at Palazzo Citterio, Via Brera 12, Milan.
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