Aelis Couture Fall Winter 2025-26 Haute Couture

Aelis Couture Fall Winter 2025-26 Haute Couture Fashion Show.

Love to love
Fw 2025-26

Protection, calm, and a sense of belonging—in a delicate moment where the balance of opposites is as fragile as crystal, Aelis restores dialogue through love and promotes with her art the peace that unites and generates beauty.
​
Red is the color that narrates the plot of the fashion show: purple red, ruby red, iron oxide red, and lacquer red show how red becomes the first color that unites the west and the east and the northern and southern hemispheres in a sort of color that expresses a powerful and universally recognized narrative.
Sofia meets the color red after a trip to Turkey, first as a guest of the Italian embassy and then of the consulate for a series of conferences and meetings on sustainable fashion and its future.
Sofia reaches Hierapolis, the sacred city of the Mediterranean, where ancestral history brings to light myths from the pre-Hellenic to the Roman era. The theater of Hierapolis becomes the pretext to talk about ecology, art, and transmission.
 
The imagined purple-red of the theater scene and the dresses of the translucent marble bas-reliefs that intertwine with drapes give life to the fabrics that create the volumes of the show.
A double satin strip of blood-red Italian silk rests balanced on a shoulder supported by the weight of an embroidery of red crystals and gold chains that create a fluid and enveloping bijou dress.
A "bustier" inspired by a rose, sculpted in silk velvet cut "au sabre" by the "Maison" prelle overlay on an organic silk organza skirt. The ancient velvet technique accompanies the research of the fabrics of the collection, where silk velvets, chenille velvet rich as fur, and light and intense cotton velvet offer an alternative to fur and animal skin.

A collaboration is born with Christine, who creates a piece in translucent upcycling tulle sculpted and held by thin lace weaves and platinum-colored metal cords whose ethereal structure occupies a light and defined space, and the translucent light of the overlapping materials generates an unexpected and surprising visual impact.
Sofia and Christine show through this collaboration that the beauty of friendship and mutual respect give life to works capable of great emotional impact.
Les Intéressants offers Aelis's jewel creations, but also ancient embroideries of pearls and sequins that appear and disappear between the metal ribbons and the crystal pendants.
A necklace composed of lace and metal cords becomes an unexpected object that rests on the body and continues the natural movement of Boris’ hair that appears like a Donatello sculpture adorned with punk rock memories.
The ancient crystals of 18th-century "lustres" punctuate the rhythm of the upcycling creations of Les interessants.
The blue velvet is the material that describes the men's suit worn by Ziane with deep purple merino wool trousers that create a "volume fleur" with an unexpected effect. A scarlet feather, created and realized by masterfully overlapping thin bamboo bands by mattiart, rests delicately on the side of red light glasses.

The muses of Aelis embody the goddesses of Hades and parade in the legendary club "Les Bains," where history and the ecology of the future merge in a space where the dimension of memory is suspended in a dimensionless atmosphere.
Orpheus and his powerful voice stand on the scene and rock the show.
In the film an image of Hierapolis closes the movement that transports Aelis into its own "Arkeo fashion future."

(phot Florian Bossuet)