Gerald Charles unveils the Maestro GC Sport Tennis White:
A tribute to tennis tradition and technical excellence
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Maison Gerald Charles presents the Maestro GC Sport in White, a refined new interpretation of its high-performance sports watch. Inspired by the historic dress code of the world’s most prestigious grass-court tennis tournament - where white has always symbolised discipline, respect and understated sophistication - this new edition strengthens the Maison’s enduring connection with the sport of tennis while elevating it into a more formal and iconic context.


A sporting watch shaped by ergonomics

At the core of the Maestro GC Sport lies ErgonTeq®, Gerald Charles’ proprietary ergonomic engineering standard. Developed by the Maison’s R&D team, ErgonTeq® ensures that the lugs, case curvature and strap architecture maximise surface contact with the wrist, optimising stability and weight distribution.
The result is exceptional comfort in motion - whether during high-intensity rallies or everyday wear - adapting seamlessly to both smaller and larger wrists.
Further reinforcing its athletic DNA, the watch features a left-hand screw-down crown strategically positioned to prevent rubbing against the wrist during play, ensuring uninterrupted performance.
Crafted in lightweight Grade 5 titanium, the timepiece weighs just 64 grams, offering remarkable resilience without compromising comfort.

Darkblast®Titanium, now 10 times more scratch-resistant
 
The Maestro GC Sport White is housed in a Darkblast® Grade 5 titanium case, now enhanced with a proprietary hardening treatment that increases scratch resistance by up to 10 times.
This advanced surface process not only deepens the aesthetic intensity of the titanium but significantly improves durability, making the watch exceptionally resistant to wear while maintaining its refined matte texture and contemporary appeal.
The contrast between the hardened Darkblast® case and the crisp white textured dial reinforces the balance between sport and sophistication.

Designed for performance, engineered for versatility

The white dial features a refined textured finish that enhances legibility while echoing the purity and discipline of the British all-white tradition.
Complementing the case is a white Velcro strap, developed in-house in Geneva and equipped with an easy-release system, allowing the wearer to remove and replace the strap autonomously without tools. Designed for maximum breathability and everyday wearability, it reinforces the watch’s dynamic, versatile character.
Powered by the ultra-thin Swiss Manufacture 2.0 Caliber, the Maestro GC Sport delivers 50 hours of power reserve, 5G shock resistance and 100m water resistance - ensuring precision and reliability both on and off the court.

Tradition meets technical mastery
 
With the Maestro GC Sport Tennis White, Gerald Charles pays homage to tennis not only as a sport of strength and performance, but as a discipline defined by elegance and respect for tradition.
By merging ErgonTeq® ergonomics, hardened Darkblast® titanium and the iconic spirit of classic British tennis attire, the Maison once again demonstrates its ability to unite cutting-edge engineering with cultural refinement - creating a watch equally at home on Centre Court or in the most elegant settings.

True showcase of LVMH’s Métiers d’Excellence, the “You & ME” tour brought together 26 Maisons across five stops in France and Italy between January and March 2026. This edition enabled more than 10,300 visitors to discover training programs and career opportunities within the Group in the fields of creation, craftsmanship, and client experience, as part of an initiative to promote, pass on, and preserve these skills. 


According to the recent “Perceptio” survey (Ipsos BVA) on craftsmanship and exceptional savoir-faire in France, 97% of French people have a good image of these professions, which hold great potential to attract new talent. However, the survey also highlights a paradox: the French public’s knowledge of these fields remains limited, as 63% of 14–15-year-olds feel they don’t know them sufficiently. 
With this in mind, the “You & ME” tour, a free event open to all, whose fifth edition concluded on March 26 in Naples, Italy, offers a unique opportunity to inspire career aspirations. It allows middle schoolers, high schoolers, college students, people seeking career transitions, and more broadly anyone interested in the world of luxury, to know more about these professions, still underrepresented in traditional career paths. 
Between January and March 2026, the tour stopped in five different cities, in France and Italy: 
Friday & Saturday, January 30 & 31, 2026: Carreau du Temple, Paris; 
Thursday, February 12, 2026: Gymnase Armand Desmet, Clichy-sous-Bois, the historic birthplace of the initiative; 
Wednesday, February 25, 2026: La Sucrière, Lyon; 
Wednesday, March 18, 2026: Nuvola Lavazza, Turin; 
Thursday, March 26, 2026: Museo di Pietrarsa, Naples. 
In total, the more than 10,300 visitors to the “You & ME” tour had the opportunity to step into the world of LVMH and its Maisons, discovering their iconic products and exceptional craftsmanship through immersive experiences (Acqua di Parma, Belmond, Berluti, Bulgari, Celine, Chaumet, Cheval Blanc, Dior, Fendi, Guerlain, Hennessy, Hublot, Kenzo, La Grande Epicerie de Paris, La Samaritaine, Le Bon Marché, Loro Piana, Louis Vuitton, LVMH Client Services, LVMH Recherche, Officine Universelle Buly, Parfums Christian Dior, Rossimoda, Sephora, Tag Heuer et Thélios).  
Participants were also able to identify fitting training programs, notably through the “Institut des Métiers d’Excellence” and its partner schools in France (EMA SUP Paris, EIML Paris, IFCV Luxe, Compagnons du Devoir et du Tour de France, Université Sorbonne Nouvelle, Ecole Duperré Paris, Institut Français de la Mode, Avize Viti Campus, Lycée Hôtelier Guillaume Tirel, Haute École de Joaillerie, IUT d'Orléans, ISIPCA, Lycée Amblard, Lycée Edgar Faure et SEPR) and in Italy (Polimoda, Accademia dei Mestieri Loro Piana, Dior Academy, Ca’ Foscari and Certottica).  
Finally, visitors had the opportunity to shape their career plans by listening to various speeches by the Maisons and their partners, including testimonials from industry experts, presentations on training programs, and HR coaching sessions. 
If you missed this year’s edition, the “You & ME” tour will be back next year to help you discover your future career! 
In the meantime, check-out all the LVMH Métiers d’Excellence initiatives here: https://www.lvmh.com/en/join-us/lvmh-metiers-dexcellence 

Bvlgari Hotels & Resorts reinterprets Easter through the lens of Bvlgari craftsmanship, where heritage, artistry and the finest ingredients come together to celebrate the season.

The Architecture of Taste

Created by Maître Chocolatier Gianluca Fusto, Uovo Calla draws inspiration from the pattern that lines the floors of the Baths of Caracalla.
The iconic Calla shape also inspired Bvlgari’s Divas’ Dream jewellery collection. Crafted with the finest ingredients, chocolate, raspberries, dried fruit, almond, toasted hazelnuts, cocoa bean powder and a touch of salt, the chocolate shell reveals a hidden surprise when cracked open.
Presented in a refined gift box echoing the same iconic motif, Uovo Calla transforms a classic Easter symbol into a crafted expression of Italian artistry.
 
La Colomba by Chef Niko Romito

 Chef Niko Romito presents his interpretation of this classic Italian Easter cake, created for the first time for Bvlgari Hotels & Resorts.  Light and refined, the recipe brings the iconic pastry to life through the finest ingredients, vanilla, honey and almond praline. La Colomba is presented in a gift box featuring the fan motif of the Divas’ Dream collection, inspired by the mosaics of the Baths of Caracalla.
​

Milan, March 23rd, 2026— In the city where fashion, design, and culture are a living practice, Bvlgari unveils Eclettica, a new artistic frontier in the world of high jewelry and high-end watches, brought to life alongside an extraordinary constellation of global icons—Dua Lipa, Anne Hathaway, Jake Gyllenhaal, Priyanka Chopra Jonas, Liu Yifei, and Kim Ji-won.

Between the theatrical grandeur of Villa Arconati and the modernist intimacy of Villa Necchi Campiglio, around 650 creations spanning high jewelry, high-end watches, bags, and fragrances are presented. At the heart of this exceptional showcase, the new Eclettica collection takes center stage with more than 160 creations, including 14 transformable pieces, over 50 millionaire jewels, and nine extraordinary masterpieces under the name Capolavori that translate the collection’s creative philosophy into a journey through sculpture, painting, and architecture.

Oscars with Priyanka Chopra Jonas - Moralmoda Magazine

​

Zug, Switzerland – March 19, 2026: Style of Zug presents the Montblanc Meisterstück 149 “Style of Zug”. The edition is limited to 500 pieces worldwide and is available exclusively at Style of Zug and in its own online shop.

As a long-standing specialist in high-quality writing instruments with a particular focus on the culture and craftsmanship of fountain pens, Style of Zug initiated a two-year collaboration with Montblanc. The aim of the cooperation was to develop a unique interpretation of one of the brand's most iconic models.

Since its introduction in 1952, the Meisterstück 149 has been considered the epitome of the modern fountain pen. Its proportions, piston-filling system, and distinctive silhouette have remained virtually unchanged for decades. Modifications to this model are exceptional and subject to stringent technical and aesthetic requirements. Customized versions are therefore rare and are only realized in select projects.
The collaboration pursued a clear goal: The edition should have its own independent design identity while remaining completely true to the tradition of the masterpiece 149.

A Dialogue with an Icon

The Meisterstück 149 “Style of Zug” was created in close collaboration with Montblanc and follows a precise approach to further development. The focus is on tonal refinement, materiality, and meticulously crafted details.

This edition features a metal cap tip and piston button, both platinum-plated. This configuration is rare within the 149 line. The platinum-plated fittings lend the writing instrument a cooler, more contemporary look without compromising the model's formal balance. The classic piston-filling system remains unchanged, thus preserving the technical integrity of the Meisterstück 149.

At the heart of the design is the newly developed lacquer color "Glacier Blue Grey." This color was created exclusively for "Style of Zug" within the 149 series and expresses a subtle, mineral tone inspired by alpine light and the clarity of winter landscapes. A single Masterpiece 149 in this color interpretation exists only within this edition.

The fountain pen is equipped with an 18-karat gold nib and offers the writing quality and precision for which the model is appreciated worldwide.

An architectural signature

The defining element of this edition is the individually developed embossed motif on the nib.

A custom embossing die was developed for this project, a technical step that underscores the depth of the collaboration. The design draws inspiration from the shape of the Zytturm's roof in Zug, whose distinctive herringbone pattern has been part of the city's architectural identity for centuries. Transferring this motif to the curved surface of the spring required both graphic precision and a high level of manufacturing expertise.

Above the architectural structure, three embossed cherries appear as a subtle reference to the historical cherry culture in the canton of Zug.

The name "Style of Zug" is discreetly integrated into the embossed design, thus maintaining the aesthetic hierarchy. The limitation "1 of 500" is engraved directly into the nib, making exclusivity an integral part of the writing instrument.

This edition also marks an important moment for Style of Zug. With the launch of the Meisterstück 149 “Style of Zug”, the boutique closes a chapter under its previous name and prepares for the upcoming transformation and rebranding of its retail concept.

Availability

The Montblanc Meisterstück 149 “Style of Zug” is limited to 500 pieces worldwide and is available exclusively at Style of Zug.

The edition is offered with "Fine" and "Medium" nib sizes. A free nib exchange is possible within six weeks of purchase.

Selling price: CHF 1,590

Availability:
All products are available in-store and online at: https://styleoffuz.com/
Style of Zug, Zeughausgasse 4, 6300 Zug, Switzerland

Monday – Friday : 10:00 – 18:30
Saturday : 9:00 AM – 4:00 PM

About Style of Zug
Style of Zug is a concept store specializing in fine writing instruments, luxury accessories, and carefully curated lifestyle items. Founded in Zug, Switzerland, in 2008, this family-run business celebrates the art of writing and style in all its forms, with a focus on exclusive, limited-edition, and sophisticated pieces that embody individuality and elegance. The boutique showcases a unique selection of prestigious writing instruments—from fountain pens to rollerballs—as well as leather goods, eyewear, art objects, and other elegant accessories that enhance everyday life. Style of Zug offers a personalized shopping experience both in-store and online, with expert advice and a carefully curated selection of renowned brands.

Color Blossom Fine Jewelry collektion
Celebrating 130th year of Louis Vuitton Monogram Canvas.

John Charles Galliano CBE RDI (born 28 November 1960) is a British fashion designer. He was the creative director of his eponymous label John Galliano and French fashion houses Givenchy and Dior.[3] From 2014 to 2024, Galliano was the creative director of Paris-based fashion house Maison Margiela.[4] Galliano has been named British Designer of the Year four times. In a 2004 poll for the BBC, he was named the fifth most influential person in British culture.
Early life and educationGalliano was born in Gibraltar to a Gibraltarian father of Italian descent, Juan Galliano, and a Spanish mother, Ana Guillén, and has two sisters. His father worked as a plumber.[7] Though registered at birth as John Charles Galliano,[1] he has given his full name in interviews as Juan Carlos Antonio Galliano-Guillén.[2] Galliano's family moved to England when he was six, settling in Streatham and later Dulwich and Brockley, in South London. He was raised in a strict Catholic family.[10]
Galliano attended St. Anthony's Primary School, Dulwich and Wilson's Grammar School in London.[11] He went on to study at Central Saint Martins and graduated in 1984 with a first class honours degree in Fashion Design. His graduating collection was inspired by the French Revolution and entitled Les Incroyables.[8] The collection received positive reviews and was bought in its entirety for resale in the London fashion boutique Browns.

LondonGalliano then started his own eponymous label alongside long-term collaborators Amanda Harlech, at that time stylist with Harpers and Queen, and milliner Stephen Jones. On the back of this success, Galliano rented studio space in London. Initially, financial backing came from Johan Brun, and when this agreement came to an end, Danish entrepreneur Ole Peder Bertelsen, owner of firm Aguecheek, who were also backing Katharine Hamnett at the time, took over. This agreement ended in 1988 and he went bankrupt after his own London-based label failed.

In 1989, Galliano moved to Paris in search of financial backing and a strong client base. Galliano secured the backing of Paris-based Moroccan designer Faycal Amor (owner and creative director of fashion label Plein Sud), who invited him to set up his base in Paris at the Plein Sud headquarters. His first show was in 1989 as part of Paris Fashion Week.
Media fashion celebrity Susannah Constantine has worked for Galliano,[15] and he has also aided the future success of other designers including shoe designer Patrick Cox. In 1991, he collaborated with Kylie Minogue, designing the costumes for her Let's Get to It Tour.
In 1993, Galliano's financial agreement with Amor ended, and he did not have a showing in October, missing the season. With the help of American Vogue editor-in-chief Anna Wintour and André Leon Talley, then European correspondent at Vanity Fair, Galliano was introduced to Portuguese socialite and fashion patron São Schlumberger and financial backers of venture firm Arbela Inc, John Bult and Mark Rice. It was through this partnership that Galliano received the financial backing and high society stamp needed to give him credibility in Paris. This collection was important in the development of Galliano as a fashion house and is regarded as a 'fashion moment' in high fashion circles.[17][18]
GivenchyIn July 1995, he was appointed as the head designer of Givenchy by Bernard Arnault, owner of luxury goods conglomerate LVMH. Galliano thus became the first British designer to head a French haute couture fashion house. On 21 January 1996, he presented his first couture show at the helm of Givenchy at the Stade de France. The collection received high praise within the fashion media.[citation needed] Some of Galliano's designs for Givenchy were licensed to Vogue Patterns.[19] When he left Givenchy, he was succeeded by Alexander McQueen. McQueen's friend and muse, socialite Annabelle Neilson, was also a muse of Galliano.[20]
Dior
See also: Spring 2004 Dior couture collection

Galliano Dior newspaper dress at the Royal Ontario Museum donated by Kara Alloway, purchased by the Toronto "Real Housewife" at the Dior flagship in Paris.In October 1996, LVMH moved Galliano to Christian Dior, replacing Italian designer Gianfranco Ferré. At Dior, Galliano received widespread critical acclaim for his Haute Couture and ready-to-wear collections, for the whole duration of his tenure there.[22] During his tenure at Dior, Galliano introduced several iconic designs, including the Dior Saddle bag, which debuted in the Spring/Summer 2000 collection and became one of the most popular handbags.[23] Galliano also designed the chartreuse Chinoiserie gown worn by Nicole Kidman at the 69th Academy Awards in 1997.
In 2007, a close friend of Galliano, Steven Robinson, died. At the time, it was maintained that he died from a heart attack, but it was later revealed to have been a drug overdose that killed him.[26] Robinson had worked closely with Galliano and been his supporter, providing creative input for over 20 years and organizing many of his events. According to the documentary "High and Low", Galliano stated Robinson's death affected him heavily.

In December 2010, a drunken Galliano insulted a group of Italian women in Paris with antisemitic slurs, which was caught on camera. The video resurfaced in February 2011, just before Paris Fashion Week Autumn/Winter 2011/2012. Facing public and legal scrutiny, he was fired from his role as creative director at Dior.
Oscar de la RentaIn 2013, a Guardian article describing Galliano's incident claims "fashion forgave John Galliano" due to his "two years' exile" and "several statements expressing his sorrow and self-disgust."[citation needed]
In early 2013, Galliano accepted an invitation from Oscar de la Renta, brokered by Anna Wintour, for a temporary residency at de la Renta's design studio to help prepare for a showing of his Fall 2013 ready-to-wear collection during February New York Fashion Week.[31] Galliano also received a measure of absolution from the Anti-Defamation League, which lauded his efforts to atone for his misdeeds and wished him well.[32] The ADL again came to his defence after the New York Post ran a photo of him on his way to the de la Renta show dressed in what it claimed was Hasidic-like garb.
Galliano remained backstage at the show, which received favourable reviews[35][36] amid speculation about his future, including as a possible successor to Oscar de la Renta[37] and that Galliano might take up a teaching post at Parsons The New School for Design.[38] On 12 June 2013, Galliano's first filmed interview since his dismissal from Christian Dior was broadcast on United States television. He closed this conversation by stating, "I am able to create. I am ready to create... [and] I hope through my atonement I'll be given a second chance".
Maison MargielaOn 6 October 2014, the OTB Group announced that John Galliano had joined Maison Margiela to take the responsibility of the creative direction of the house,[40] marking the designer's return to a leading role in designing luxury fashion. Just a few weeks later, on the occasion of the annual British Fashion Awards, Galliano presented the Outstanding Achievement Award to Anna Wintour who wore Galliano's first creation for Maison Martin Margiela, "an unambiguous fashion blessing" from the Editor in Chief of American Vogue according to Vanessa Friedman, Fashion Director of The New York Times.
Galliano exhibited his first couture collection for Margiela during London Collections: Men, on 12 January 2015. He told French Elle in 2018 that he would stop using fur in his collections, citing as inspiration from a meeting with Penélope Cruz and PETA's Dan Mathews.
On 26 September 2018, Galliano made a statement in Paris at his Maison Margiela show, when he unveiled Mutiny, his first perfume for the fashion house.
The designer left Maison Margiela in December 2024.

Hollywood's best and brightest have been honoured with the most coveted awards in the movie industry, the Oscars.
One Battle After Another led the way with six wins, while Hamnet's Jessie Buckley (above in Chanel couture), who also accepted BAFTA in Chanel haute couture wins again and Sinners' Michael B Jordan (see please further below next article) scooped the top acting honours too.
​

Global Ambassador Dua Lipa (@dualipa, 86.6m) shines in BVLGARI as she attends events in Los Angeles around the 98th Academy Awards in striking gold and black Schiaparelli dress from Haute couture 2026 spring collection.For the Vanity Fair Oscar Party, Dua chose a high-jewelry Vimini necklace in 18k yellow gold and DLC-coated steel with pavé-set diamonds, which she paired with a Vimini bracelet and Vimini earrings. Several diamond rings completed her look for this special occasion.
For the 34th Elton John AIDS Foundation Academy Awards Viewing Party, Dua opted for a high-jewelry serpenti necklace, combined with high-jewelry diamond earrings and several diamond rings.
​

Actor and singer Nick Jonas (@nickjonas, 35.7 million followers) shines in BVLGARI like his wife Priyanka Jones at the 98th Academy Awards. For the occasion, Nick chose a tubogas bracelet as well as a ring. Bvlgari Tubogas bracelet in 18K yellow gold set with pavé diamonds. Bvlgari Tubogas ring in 18k yellow gold with pavé set diamonds.

USHER ATTENDS THE ACADEMY AWARDS WEARING JAEGER-LECOULTRE

Singer Usher attended the Academy Awards at the Dolby Theatre in the Ovation Hollywood, in Los Angeles, California.

Usher is an American singer, songwriter, and performer widely regarded as one of the most influential artists in contemporary R&B. Rising to fame in the late 1990s with albums such as My Way and Confessions, he has sold millions of records worldwide and earned numerous accolades, including multiple Grammy Awards. Known for his dynamic stage presence and enduring impact on modern pop and R&B, Usher remains a defining figure in global music and entertainment.

For the occasion, the actor chose to wear the Jaeger-LeCoultre Rendez-Vous Classic Night & Day in pink gold. Flawlessly sophisticated in either 29mm or 34mm, the timepiece features an elegant silhouette and open sapphire case back that showcases the movements of its automatic calibre entirely developed, crafted and assembled in our workshop in the Vallee de Joux.
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Featuring a night and day or moon-phase indicator, the floral hour numerals and hands take an elongated contemporary shape for a gracefully modern look. The hand-guilloché décor and mother-of-pearl finish associated to diamonds reflect the finest Haute Horlogerie traditions.

DOVE CAMERON WEARING GEORGES HOBEIKA AT THE 2026 VANITY FAIR OSCAR PARTY IN LOS ANGELES ON MARCH 15th 2026 

American actress and singer Dove Cameron wearing a Georges Hobeika Couture gown from the Fall-Winter 2026 Couture Collection to the 2026 Vanity Fair Oscar Party on March 15, 2026 in Los Angeles, California. More on @georgeshobeika

DAKOTA FANNING WEARS ZUHAIR MURAD
  
Los Angeles, CA – Actress Dakota Fanning wears a black gown featuring a deep neckline, adorned with intricate silver floral embroidery across the bodice from the ZUHAIR MURAD Spring 2026 Ready-To-Wear Collection.  
 
 Actress Sofia Vergara wears a white embellished custom ZUHAIR MURAD gown with crisscross straps and a front keyhole, with intricate geometric beadwork and an attached cape. 

M&S Black Dress £36 M&S Pointed Toe Slingback Stiletto Heel £46, M&S Gold Small Hoop Earrings, £20


This Spring, Marks & Spencer is delighted to announce the appointment of Gillian Anderson, as its first-ever Chief Compliments Officer (CCO). A role created to deliver unapologetic, joy‑sparking energy that celebrates the brand’s Love That! platform, spanning Fashion, Home and Beauty. At its heart is a simple belief: when people feel good, they show up differently.


While confidence and feeling seen are universal needs, research shows many of us don’t receive compliments often enough. The CCO role was created to champion affirmation, positivity and connection, the M&S way, celebrating customers individuality and the pure joy of fashion, and how a great ‘M&S jacket’ doesn’t just change how you look, but how you feel.


The campaign kicks off on the 10th March, with the official announcement of Gillian’s new role on LinkedIn and Instagram. Followed by the launch of the Spring 26’ collection on the 11th March, with the ad featuring Gillian on her first day in her new role giving style compliments to women wearing the designs, set to the track of Oh Yeah by Yello. Followed by a content series showcasing the assistant working hard behind the scenes to encourage as many ‘Love Thats!’ to be shared as she can.


Sharry Cramond, Marketing Director for Fashion, Home & Beauty at M&S, says:


“Welcoming Gillian Anderson as our first ever Chief Compliments Officer is a major moment for M&S. She’s here to showcase our brilliant womenswear, spark joy and champion the power of a great compliment – and we couldn’t be more excited!

With this campaign, we are reinforcing our new fashion, home and beauty brand line - LOVE THAT.
 
“LOVE THAT”…followed by “where’s it from” is something that is said, mainly woman to woman, every day. And the best way to GET that type of compliment is to wear M&S fashion of course!


This new campaign launching today with the incredible Gillian Anderson takes “LOVE THAT” to a whole new level, and we have lots more in the plan for the rest of the year too.  M&S is transforming from a brand we have always lived with, to one we simply cannot live without.


As we say at M&S, love THAT!”
M&S Black Dress £36, M&S Pointed Toe Slingback Stiletto Heel £46, M&S Gold Small Hoop Earrings £20 

Gillian Anderson, CCO, says:

“A simple compliment can genuinely boost confidence and change how someone feels all day, so as Chief Compliments Officer, I’m here to help make those moments more commonplace.


Having spent my career playing women in positions of power, complexity and contradiction, I’ve become very deliberate about how I dress so when someone pays me a compliment it means a lot. Not necessarily because it’s about how I look but because I dress in a way that feels honest to who I am and when someone recognises that, it is affirming.


Hearing something genuinely nice, especially about what you’re wearing, can change the way you carry yourself, whether you’re on a red carpet or doing the school run. And that boost shouldn’t be rare.”

Available from March 2026 www.marksandspencer.com

Lisa and Felix met again at the LV fashion show. Felix Stray Kids at Louis Vuitton Fall/Winter 2026 Fashion. Felix Poses for Photographers at the Louis Vuitton Show.
Stray Kids' Felix Makes Return at Louis Vuitton Fall 2025 Show. Since being named an ambassador for the brand in 2023, Felix has quickly become an LV favorite. The star is now in Paris to delight of his fans. Felix 필릭스 [STRAY KIDS] - Louis Vuitton FW26/27 fashion show in Paris - 10.03.2026. Since being named an ambassador for the brand in 2023, Felix has quickly become an LV favorite. The star is now a regular at the shows --

Women' s Fall Winter 2026 Show Collection - see video here. Fall Winter 2026 Louis Vuitton collection by Nicolas Ghesquière. All rights reserved 2026.

SUPER NATURE

Nature is the greatest fashion designer. A twenty-first century architecture of clothing, defined by the natural world, inspires the Fall Winter 2026 Louis Vuitton collection by Nicolas Ghesquière. Mountains, forests, plains. Clothes evolved with instinctive reactions to and interactions with our climate and surroundings - for endurance, protection, freedom - become fashion. A heightened view, of that which surrounds us. Super nature. Traverse and transverse - connecting different places, alternate views, new times. The extreme shapes and details of clothes are formed by the elemental - wind, rain, sun. The silhouettes are defined by life in nature, their form language beyond any we could imagine.

Like traditional costumes, these clothes are shaped by how people have lived, by our sense of belonging, and fundamental truths, past and present. Today it is necessary to invent this anew, reinterpreting the natural within the shifted context of a digital world. It is not an escape from our realities, but an echo of them. A new folklore, for the future. A life lived with nature – within landscapes - forges harmonies between clothes and the natural world. Flora and fauna leave imprints on garments, inspiring fabrications that may live within a landscape. Reenvisaged animalier patterns are woven into canvas and denim, invented flowers shaped in leather as decoration, sometimes protection. The notion of collage as a travel in cloth brings together divergent elements, mapping a topography of the body.

A memory of our histories, of the attitudes and realities that made us as people, shape clothes with an inherent globality. Hyper-craft. Not imitation but sublimation of nature, melding technologies with the timeless ingenuity of human artisanship. Savoir-faire and savoir-être - a humanity can always be found in people’s stories and our métiers. Three-dimensional printing and resins may approximate naturalistic materials - buttons that appear like minerals, heels that resemble antlers – while vegetal furs invent new texture. Leather is grained, grooved and tanned to mirror wood with a supple hand, a surreal and super-natural impossibility. The nature of Louis Vuitton. Expertise in malletier and leather devises new means to transport lives, to move freely through the world like nomadic peoples.

​The Noé bag returns to its original 1932 proportion and color - shifting through time, you can carry home with you. Bags for exploration and wanderlust underscore a human curiosity, our interaction with the earth. A reinterpretation of Man Ray on a Modernist parure is framed through the distinct language of Louis Vuitton - earrings, a ring, a collier studded with the nail-heads of a Louis Vuitton trunk. They travel from the past to the now.

Within nature: in the Cour carrée of the Musée du Louvre, a neo-landscape is imagined. Devised by production designer Jeremy Hindle (Severance, 2022, 2025), it is an abstraction of the natural, its representation through a prism of tomorrow. Fusing outside and in, the scenography transforms the voyages of the models into a fluctuating, living pastoral painting, a modern allegory, a sci-fi fable

hursday! 
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For Autumn/Winter 2026, Victor Clavelly introduces Garage, conceived as a new safe room: a space for customizing a look, dismantling pieces to create new ones, repainting, and tuning the body. The collection proposes a modular and interchangeable wardrobe built from the anatomy of a doll, aiming to generate procedural silhouettes that are easy to alter while outlining a more systemic approach to production. 


In continuity with Fragments, the collection operates like a mechanical workshop. Each silhouette is constructed in three layers: the second skin, the intermediate identity, and the armor. Garments function as modules, and looks become stratified bodies whose components can be worn in multiple ways. The result is an adaptable wardrobe designed for everyday use, capable of shifting across contexts and seasons. ​



The modular doll-body is a recurring character within Clavelly’s practice, notably in a video game developed with his collaborator Migu, where the core gameplay revolves around a recomposable body. In game design, this logic is intuitive. Applied to fashion, it suggests another way of thinking about collections: as evolving systems, where pieces communicate, mix, interchange, and develop over time, each season functioning like an update within a larger structure.