 Paris once again proved itself the epicentre of fashion’s online impact, generating $403.6 million in Earned Media Value (EMV), according to Lefty. Creativity sparked buzz as newly appointed designers reinvented house codes, while others tapped into the visual storytelling of TV, calling upon the minds behind the production of Severance and Euphoria. Online audiences dissected collections with an analytical eve, while on the ground, excitement spread from show venues to store fronts. Meanwhile, experimental activations at La Watch Party signalled how fashion's stage is expanding far beyond its traditional inner circle. What did it really take for brands to stand out at Paris Fashion Week? READ NEWSLETTER Get the full rankings and dive deeper into fashion month via private sessions tailored specifically for your brand. In 1:1 sessions, our Insights team will break down leading brand and celebrity strategies, so you can best plan for the next season, all backed by proprietary data from partner, Lefty. CONTACT TO BOOK. Above, one of PFW highlights the Louis Vuitton 2026 show. See more |Paris coverage in this section under February 2026 month.    DOVE CAMERON WEARING GEORGES HOBEIKA AT THE 2026 VANITY FAIR OSCAR PARTY IN LOS ANGELES ON MARCH 15th 2026 American actress and singer Dove Cameron wearing a Georges Hobeika Couture gown from the Fall-Winter 2026 Couture Collection to the 2026 Vanity Fair Oscar Party on March 15, 2026 in Los Angeles, California. More on @georgeshobeika  DAKOTA FANNING WEARS ZUHAIR MURAD Los Angeles, CA – Actress Dakota Fanning wears a black gown featuring a deep neckline, adorned with intricate silver floral embroidery across the bodice from the ZUHAIR MURAD Spring 2026 Ready-To-Wear Collection. Actress Sofia Vergara wears a white embellished custom ZUHAIR MURAD gown with crisscross straps and a front keyhole, with intricate geometric beadwork and an attached cape. BARRY KEOGHAN AND RITA ORA WEAR HUBLOT TO THE 32nd ANNUAL VANITY FAIR OSCAR PARTY Monday, March 16, 2026—Los Angeles, CA: Luxury Swiss watchmaker Hublot continued its presence during Hollywood’s biggest night at the 32nd Annual Vanity Fair Oscar Party hosted by Mark Guiducci, where stars gathered to celebrate following the Academy Awards show. Among the evening’s standout guests, actor Barry Keoghan and global music star Rita Ora wore Hublot timepieces as they attended the renowned after-party hosted at the Los Angeles County Museum of Art in Los Angeles, CA. Award-winning actor, Barry Keoghan, impressed wearing the Hublot Spirit of Big Bang Steel Pave 32mm, which is set with 140 diamonds. Barry Keoghan wears the Hublot Spirit of Big Bang Steel Pave 32mm Photo by: Photo by Dia Dipasupil/ FilmMagic /Getty Images; Photo by: Hublot British singer, songwriter, and actress Rita Ora stunned wearing the dazzling Hublot Big Bang One Click Steel Full Pave 33mm, which is set with 398 Diamonds. Rita Ora wears the Hublot Big Bang One Click Steel Full Pave 33mm Photo by: Neilson Barnard/Getty Images/Getty Images; Photo by: Hublot TARON EGERTON ATTENDS THE VANITY FAIR OSCAR PARTY WEARING JAEGER-LECOULTRE Actor Taron Egerton attended the Vanity Fair Oscar Party at the Los Angeles County Museum of Art, in Los Angeles, California. Taron Egerton is a Welsh actor acclaimed for his dynamic performances in both action and biographical films. He gained international recognition as the lead in Kingsman: The Secret Service and earned critical praise for portraying Elton John in Rocketman. His performance in Rocketman earned him the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, highlighting his versatility and establishing him as one of the most compelling actors of his generation. For the occasion, the actor chose to wear the Jaeger-LeCoultre Reverso Tribute Chronograph. Capitalising on its swivelling concept, the Reverso Tribute Chronograph marries watchmaking tradition to modern aesthetics. The sophisticated recto echoes the original Reverso while its open-worked verso is resolutely modern. Showcasing the complexity of Calibre 860, the dial is open-worked. The bridges are meticulously designed to highlight the key components of the movement such as the fascinating column wheel that regulates the chronograph mechanism. They are also decorated with Côtes de Genève and sharply bevelled. Nicolas Hoult also attended the Vanity Fair Oscar Party at the Los Angeles County Museum of Art, in Los Angeles, California. Nicholas Hoult is an English actor recognized for his versatility across independent films and major Hollywood productions. He first gained international attention for his breakout role in About a Boy and later for portraying Hank McCoy / Beast in the X-Men: First Class saga. He has continued to earn critical acclaim for performances in films such as The Favourite and the satirical thriller The Menu, establishing himself as one of the most distinctive actors of his generation. For the occasion, the actor chose to wear the Jaeger-LeCoultre Reverso Tribute Monoface Small Seconds. Embodying the contemporary versatility of the Reverso’s Art Deco design, the Reverso Tribute Monoface ‘Or Deco’ features a Pink Gold 18K (750/1000) Milanese link bracelet and case. Its grained dial perfectly matches the colour of the precious metal exuding a vintage glamour and confident modernity. Redefining elegance with its seamless blend of historical significance, the timepiece reaffirms its status as a timeless icon. When the case is turned over, the metal caseback enhances the jewellery look of the watch and the Monoface concept offers the possibility to be whether left blank or personalised with an engraving, lacquering or enamelling decoration.  Designer Elie Feghali... The first Lebanese man to showcase his designs at the Opéra Garnier in Paris  Elie Fegali's Fashion Show took place in Palais Garnier Opera House in Paris. All images all rights reserved. Refined elegance and aristocratic sophistication Elie Feghali presents his collection “La Grâce” in the Opera Garnier as the first Lebanese male to showcase his work in this historic venue. When you look up “fashion show” in the Paris Opera where some of the greatest names of French fashion showcased couture, from most recent Maison Chanel to Christian Dior show back in 1998—to Maison Stéphane Rolland—have staged opulent haute couture fashion shows in this historic and iconic Opera House. This time during the Paris Fashion Week, using the grand Palais Garnier opera house in Paris as the backdrop, it was Elie Feghali who staged a vivid spectacle for the Spring/Summer 2026 couture collection. Guests like Leonie Hanne, Nada Kamani, Dana Hallani, and many more fashion insiders and stars were in the lucky VIP crowd that could fit inside the Opera grand staircase and experience first hand the opulent sensory overload of this evening. An abundance of softness and delicate presence unfolds--with a surge of luxury and enchantment, as the designs of Elie Feghali, presented within the “La Grâce” collection, harmoniously intertwine with the regal elegance of the French Opera House. This setting further elevates the collection’s aristocratic character and distinctive, refined identity in his latest Spring/Summer 2026 couture line, unveiled at the Opéra Garnier in Paris. The choice of venue carries profound symbolism. The legacy of French elegance and sophistication embodied by the Opera House is reflected in designs distinguished by softness and fluidity. Within them, Elie Feghali infused the spirit of the East through intricate oriental embroidery, seamlessly blended with contemporary elegance and executed with the artistry of couture craftsmanship. The choice of the collection’s title, La Grâce, also carries deep significance. Through his return to presenting fully realized collections, designer Elie Feghali reflects themes of continuity, generosity, presence, and gratitude for all that surrounds us in this world despite its challenges.  From these two defining dimensions, designer Elie Feghali became the first Lebanese male designer to present his creations at the Opéra Garnier in Paris. During the show, he unveiled 20 captivating pieces, ranging from flowing evening gowns that evoke regal looks for exceptional occasions, to bold tailored jumpsuits designed to express the presence of a strong and confident woman, as well as refined two-piece ensembles suited for elegant appearances, concluding the show with a breathtaking bridal gown. The strength of the collection extends beyond its meticulous artistic and technical details, expressed through a modern yet serene and effortless design language. It is further distinguished by the careful selection of fabrics that faithfully serve the creative vision. Luxurious materials such as velvet, crepe, and organza - celebrated for their softness and fluidity - lend both structure and volume to the silhouettes, enhancing the poise and presence of the women who wear them. The color palette further reinforces this refined narrative, embracing commanding shades such as black and deep navy, regal tones like antique silver, and delicate, feminine hues including blush and mustard. The embellishments infused the designs with remarkable allure, particularly the embroidery. Eastern-inspired embroidery was featured in the form of raised, three-dimensional floral motifs, while Charleston threads, beads, and silk threads were intricately incorporated to lend a bold, contemporary character to the pieces. Feathers of various types were also delicately applied along the collars and sleeve hems, thoughtfully coordinated in tones that harmonized with the color palette of the designs. This exquisite sense of luxury was brought to a close by designer Elie Feghali with a royal ivory bridal gown composed of three layers of organza, with the middle layer delicately embroidered along both edges. The design is conceived with innovation, resembling a half-cape that drapes from the shoulder and wraps gracefully around the body, cascading over a simple, elongated gown beneath. The cape extends into a sweeping train, offering the bride varied silhouettes and a sense of enduring elegance. The result evokes the image of a princess from a golden era, illuminated by shimmering thread embroidery that imparts a captivating radiance, harmonizing seamlessly with the aristocratic spirit embodied by the Paris Opera House, which hosted the show. Watch the video here.  Elie Fegali at the end of the Fashion Show took bow to thrilled audience.
 M&S Black Dress £36 M&S Pointed Toe Slingback Stiletto Heel £46, M&S Gold Small Hoop Earrings, £20
This Spring, Marks & Spencer is delighted to announce the appointment of Gillian Anderson, as its first-ever Chief Compliments Officer (CCO). A role created to deliver unapologetic, joy‑sparking energy that celebrates the brand’s Love That! platform, spanning Fashion, Home and Beauty. At its heart is a simple belief: when people feel good, they show up differently. While confidence and feeling seen are universal needs, research shows many of us don’t receive compliments often enough. The CCO role was created to champion affirmation, positivity and connection, the M&S way, celebrating customers individuality and the pure joy of fashion, and how a great ‘M&S jacket’ doesn’t just change how you look, but how you feel. The campaign kicks off on the 10th March, with the official announcement of Gillian’s new role on LinkedIn and Instagram. Followed by the launch of the Spring 26’ collection on the 11th March, with the ad featuring Gillian on her first day in her new role giving style compliments to women wearing the designs, set to the track of Oh Yeah by Yello. Followed by a content series showcasing the assistant working hard behind the scenes to encourage as many ‘Love Thats!’ to be shared as she can. Sharry Cramond, Marketing Director for Fashion, Home & Beauty at M&S, says: “Welcoming Gillian Anderson as our first ever Chief Compliments Officer is a major moment for M&S. She’s here to showcase our brilliant womenswear, spark joy and champion the power of a great compliment – and we couldn’t be more excited! With this campaign, we are reinforcing our new fashion, home and beauty brand line - LOVE THAT. “LOVE THAT”…followed by “where’s it from” is something that is said, mainly woman to woman, every day. And the best way to GET that type of compliment is to wear M&S fashion of course! This new campaign launching today with the incredible Gillian Anderson takes “LOVE THAT” to a whole new level, and we have lots more in the plan for the rest of the year too. M&S is transforming from a brand we have always lived with, to one we simply cannot live without. As we say at M&S, love THAT!” M&S Black Dress £36, M&S Pointed Toe Slingback Stiletto Heel £46, M&S Gold Small Hoop Earrings £20 Gillian Anderson, CCO, says: “A simple compliment can genuinely boost confidence and change how someone feels all day, so as Chief Compliments Officer, I’m here to help make those moments more commonplace. Having spent my career playing women in positions of power, complexity and contradiction, I’ve become very deliberate about how I dress so when someone pays me a compliment it means a lot. Not necessarily because it’s about how I look but because I dress in a way that feels honest to who I am and when someone recognises that, it is affirming. Hearing something genuinely nice, especially about what you’re wearing, can change the way you carry yourself, whether you’re on a red carpet or doing the school run. And that boost shouldn’t be rare.” Available from March 2026 www.marksandspencer.com LùCHEN sets couture as a point of reflection and construction. The season explores how a garment can be built not only through form, but through behavior — how materials collapse, stretch, resist, or adapt to the body, and how these reactions can generate a new emotional language of movement. Material becomes both method and meaning. Feathers — a material language that has followed LÙCHEN across past seasons — return here in a more deliberate and expanded way. The simulated feathers are cut from reclaimed materials: they may come from leftover fabric fragments, deadstock offcuts, or regenerated plastics. Once assembled, they form a pixelated feather surface — an artificial plumage made from accumulation, repair, and repetition. Inside the LùCHEN atelier, we keep a growing archive of recycled materials: remnants from previous collections, small pieces sourced from deadstock, and other renewable matter. Each fragment is cut into different forms, carrying its own origin and lifecycle. When joined together, they build a larger surface — a kind of time-net, where every layer records what came before. In contrast, real feathers represent something fleeting. They are intensely present, but also fragile — a reminder of life and time passing. This contrast between the real and the simulated, the natural and the constructed, is one of the collection’s main questions. Alongside feathers, the collection also incorporates other reclaimed or unconventional materials, including 100% recycled acrylic, elements derived from landfill waste such as eggshells and mussel shells, and objects that feel slightly outdated or displaced by time — like glass marbles. They appear as small traces or structural textures, used to test how far material can be pushed without losing precision. The collection is shaped by a continuous negotiation with gravity. Moments of disruption and reconstruction appear throughout: rigid, suspended volumes hold the body in stillness, while weight-driven drapery releases it into flow. This tension becomes the collection’s core rhythm.  Lisa and Felix met again at the LV fashion show. Felix Stray Kids at Louis Vuitton Fall/Winter 2026 Fashion. Felix Poses for Photographers at the Louis Vuitton Show. Stray Kids' Felix Makes Return at Louis Vuitton Fall 2025 Show. Since being named an ambassador for the brand in 2023, Felix has quickly become an LV favorite. The star is now in Paris to delight of his fans. Felix 필릭스 [STRAY KIDS] - Louis Vuitton FW26/27 fashion show in Paris - 10.03.2026. Since being named an ambassador for the brand in 2023, Felix has quickly become an LV favorite. The star is now a regular at the shows -- Louis Vuitton All rights reserved 2026 FW show.
Lisa with Felix, Bernard Arnault, Zendaya, Ana de Armas & More at Louis Vuitton. BLACKPINK’s Lisa at the Louis Vuitton Fall Winter 2026 FW26 fashion show with Zendaya, Ana de Armas, and more while attending the prestigious Louis Vuitton show at the Louvre Museum. Nature – the greatest source of inspiration in fashion. The Louis Vuitton Fall Winter 2026 collection by Nicolas Ghesquière also draws on it – from mountains, forests and vast landscapes. Clothing is created in interaction with the climate and environment – shaped by the need for protection, endurance and freedom – and thus becomes fashion. A sharpened view of what surrounds us. Super nature. Traverse and Transverse – the connection of places, perspectives and times. Shapes and details of the clothing are created in dialogue with the elements: wind, rain, sun. The silhouettes are shaped by life in nature and, like traditional costumes, remind us of how people have lived: carried by belonging, by the past and the present. This heritage is being rethought and interpreted in the context of a digital world. Not an escape from reality, but its echo – a new folklore for the future. Not imitation, but the sublimation of nature – an interplay of modern technologies with the timeless inventiveness of human craftsmanship. Savoir-faire and savoir-être are reflected in the stories of the people and in the métiers of the Maison. 3D printing and resins create materials that are reminiscent of nature: buttons like minerals, heels that are reminiscent of antlers. Vegan skins create new textures. Leather is grained, grooved and tanned to trace the feel of wood – a seemingly impossible, almost surreal transformation. The Maison's expertise as a painter and in leather craftsmanship opens up new ways to move freely through the world: the Noé Bag returns to its original proportions and colours of 1932 – a journey through time, a home to wear. Bags for discovery and wanderlust reflect human curiosity and our connection to the earth. A reinterpretation of Man Ray on a Modernist Parure is framed by Louis Vuitton's unmistakable design language: earrings, a ring and a necklace set with the signature nailheads of a Louis Vuitton trunk. They travel from the past to the present. In the Cour carrée of the Musée du Louvre, a neo-landscape is being created. Designed by Production Designer Jeremy Hindle (Severance, 2022, 2025), it is an abstraction of the natural – seen through the prism of tomorrow. By merging the outside and the inside, the scenography transforms the movements of the models into a floating, living pastoral image – a modern allegory, a sci-fi fable. www.louisvuitton.com  KERRY WASHINGTON
WEARS ZUHAIR MURAD TO THE WORLD PREMIERE OF APPLE TV’s “IMPERFECT WOMEN” Los Angeles, CA – Actress Kerry Washington wears a sheer black lace look featuring a structured corset bodice layered under a high-neck lace top, paired with lace pants from the ZUHAIR MURAD Pre-Fall 2026 Ready-To-Wear Collection.  Women' s Fall Winter 2026 Show Collection - see video here. Fall Winter 2026 Louis Vuitton collection by Nicolas Ghesquière. All rights reserved 2026. SUPER NATURE Nature is the greatest fashion designer. A twenty-first century architecture of clothing, defined by the natural world, inspires the Fall Winter 2026 Louis Vuitton collection by Nicolas Ghesquière. Mountains, forests, plains. Clothes evolved with instinctive reactions to and interactions with our climate and surroundings - for endurance, protection, freedom - become fashion. A heightened view, of that which surrounds us. Super nature. Traverse and transverse - connecting different places, alternate views, new times. The extreme shapes and details of clothes are formed by the elemental - wind, rain, sun. The silhouettes are defined by life in nature, their form language beyond any we could imagine. Like traditional costumes, these clothes are shaped by how people have lived, by our sense of belonging, and fundamental truths, past and present. Today it is necessary to invent this anew, reinterpreting the natural within the shifted context of a digital world. It is not an escape from our realities, but an echo of them. A new folklore, for the future. A life lived with nature – within landscapes - forges harmonies between clothes and the natural world. Flora and fauna leave imprints on garments, inspiring fabrications that may live within a landscape. Reenvisaged animalier patterns are woven into canvas and denim, invented flowers shaped in leather as decoration, sometimes protection. The notion of collage as a travel in cloth brings together divergent elements, mapping a topography of the body. A memory of our histories, of the attitudes and realities that made us as people, shape clothes with an inherent globality. Hyper-craft. Not imitation but sublimation of nature, melding technologies with the timeless ingenuity of human artisanship. Savoir-faire and savoir-être - a humanity can always be found in people’s stories and our métiers. Three-dimensional printing and resins may approximate naturalistic materials - buttons that appear like minerals, heels that resemble antlers – while vegetal furs invent new texture. Leather is grained, grooved and tanned to mirror wood with a supple hand, a surreal and super-natural impossibility. The nature of Louis Vuitton. Expertise in malletier and leather devises new means to transport lives, to move freely through the world like nomadic peoples. The Noé bag returns to its original 1932 proportion and color - shifting through time, you can carry home with you. Bags for exploration and wanderlust underscore a human curiosity, our interaction with the earth. A reinterpretation of Man Ray on a Modernist parure is framed through the distinct language of Louis Vuitton - earrings, a ring, a collier studded with the nail-heads of a Louis Vuitton trunk. They travel from the past to the now. Within nature: in the Cour carrée of the Musée du Louvre, a neo-landscape is imagined. Devised by production designer Jeremy Hindle (Severance, 2022, 2025), it is an abstraction of the natural, its representation through a prism of tomorrow. Fusing outside and in, the scenography transforms the voyages of the models into a fluctuating, living pastoral painting, a modern allegory, a sci-fi fable  hursday!
Join + 40,000 participants at ChangeNOW 2026, secure your pass at 30% off today. GET 30% OFF YOUR PASS! For Autumn/Winter 2026, Victor Clavelly introduces Garage, conceived as a new safe room: a space for customizing a look, dismantling pieces to create new ones, repainting, and tuning the body. The collection proposes a modular and interchangeable wardrobe built from the anatomy of a doll, aiming to generate procedural silhouettes that are easy to alter while outlining a more systemic approach to production.
In continuity with Fragments, the collection operates like a mechanical workshop. Each silhouette is constructed in three layers: the second skin, the intermediate identity, and the armor. Garments function as modules, and looks become stratified bodies whose components can be worn in multiple ways. The result is an adaptable wardrobe designed for everyday use, capable of shifting across contexts and seasons. The modular doll-body is a recurring character within Clavelly’s practice, notably in a video game developed with his collaborator Migu, where the core gameplay revolves around a recomposable body. In game design, this logic is intuitive. Applied to fashion, it suggests another way of thinking about collections: as evolving systems, where pieces communicate, mix, interchange, and develop over time, each season functioning like an update within a larger structure. Zuhair Murad UNVEILS THE NEW READY-TO-WEAR FALL 2026 COLLECTION “Luminous Rêverie” Giovanni Boldini, the emblematic painter of the Belle Époque, steps onto the scene to elevate the Winter 2026 collection. In contemplating his vibrant canvases, Zuhair Murad sketches a story that celebrates femininity in all its complexity: seductive, mysterious, and resolutely modern.  All images all rights reserved Zuhair Murad AW 2026.  AUTUMN WINTER 2026 Collection At Paris Fashion Week "PARIS AFTER DARK: THE URBAN ROMANTICS" PARIS AFTER DARK : THE URBAN ROMANTICS JITROIS AUTUMN/WINTER 26–27
When night falls over Paris, the city reveals another self. A city of light and shadow, of fleeting encounters and a latent electricity. In this nocturnal landscape emerges a tribe: the Urban Romantics — lovers of midnight, guided by desire, moving through the city with magnetic and instinctive confidence. For Autumn/Winter 2026–2027, Jitrois places the body at the centre of this nocturnal theatre. Since its founding, the Maison has shaped a singular language: stretch leather as a second skin, offering complete freedom of movement while sculpting the silhouette with sensual precision. A material that conceals nothing but reveals presence, amplifying gesture and translating movement directly into line. Leather becomes both armour and invitation — a garment that remembers the body. With the creative vision of Tristan Van Bruwaene and Jay Wilson, under the artistic direction of Jean-Claude Jitrois, the collection extends this legacy while inscribing it within a contemporary reading of the Paris night. The trio revisits the codes of the Maison — sensual precision, sculptural silhouettes and the intimate dialogue between skin and leather — to reveal their expression today. The idea of the Urban Romantics also echoes a nocturnal culture that has accompanied Jitrois for decades. From the theatrical elegance of the London New Romantics to the legendary nights of Le Palace in Paris, from the sensual imagery of Helmut Newton, with whom the Maison collaborated, to contemporary nightlife scenes, Jitrois has long moved through the spaces where fashion, desire and music meet. But the heart of this story remains Paris — a city where elegance and intrigue move through the night, behind the tall windows of Haussmannian apartments. Within these interiors, the silhouette begins to emerge. Zipped leather jumpsuits, sculpted dresses and precise corsetry draw sharp vertical lines across the figure. Tailored leather jackets and structured coats assert a distinctly Parisian authority, while sheer textures, lace and open constructions introduce the sensual ambiguity of the night. The collection enters into dialogue with architecture. Certain embroideries echo the intricate lines of Parisian wrought-iron balconies, while delicate constructions inspired by lingerie — lace, corsetry and transparencies — frame the body with precision and sensuality. The colour palette follows the rhythm of a Parisian night: deep black, the colour of the city after dark; burgundy and intense reds charged with desire; flashes of gold catching the glow of interiors; electric blues and deep greens bringing a contemporary pulse. For Jitrois, the night is never simply a backdrop. It is a state of being. A moment when identities shift, silhouettes sharpen and the body becomes both presence and possibility. The Urban Romantics inhabit that moment fully — bodies sculpted in leather, moving through the Paris night until the city slowly returns to itself. La maison Jitrois Junya Watanabe Fall Winter 2026-2027 collection fashion show at Paris Fashion Week FW26 (March 7, 2026).
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